Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18395 (and counting) posts since we started blogging 18 years ago. 259 of them this year alone and, so far this month (Mar. 30 ), 69

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: King Bees @ Billy Bootleggers, Newcastle. 7:00pm (doors). Free. Chicago blues.

Wednesday, November 28, 2018

CD Review: Aimee Allen - Wings Uncaged

Aimee Allen (vocals); Francois Moutin (bass); Billy Test (piano, except track 10);
Kush Abadey (drums, except tracks 7, 9, 10, 11)
(Review by Ann Alex)

I knew I’d reviewed a CD from this fine singer before, as I remembered her biographical details. Ms Allen hails from Pittsburgh growing up in a musical household with a singing mother, guitarist brother, as well as playing flute and piano herself. After hearing all the classic jazz singers on the radio, she later sang in choirs and also professionally in duos. 
A member of the New York jazz community since 2002, recording her debut release in 2006, this, her fifth CD comprises 6 standards and 5 original songs.

One of the basic themes of the songs concerns how winged creatures deal with the natural world, so we have Skylark, with a bass solo which sounds like the flight of a bird; and the original Night Owl with cymbals to indicate night time. The other originals are Shooting Star, with a piano solo which to my ears sounded a bit like a star might sound; In My Web, all about catching a lover in a web; and Touch The Sun. Democracy How (Harmony And Dissonance) is the most interesting of the originals, as it is a very direct protest song, a plea for truth and democracy to prevail, ‘they tell me one and one is not two, the death of truth’. The opening of this track is suitably dissonant and deliberately jarring.

I much preferred the standard songs, but that may be because original material takes time to get used to. It’s impossible to say which songs will be standards of the future. Besides Skylark we have Invitation; Jobim’s Fotografia, sung in Portuguese (I think) then in English; Save Your Love For Me, a swinging song of unrequited love; Autumn Leaves, sung in both French and English; and Lionel Hampton’s Midnight Sun. I noted that this singer is not afraid to do without drums on some tracks, as shown by the musicians listed above, and there were bass solos on nearly every track, which was unusual and very pleasing. In fact, the musicians were well up to the mark.

The CD was issued on September 10, on the Azuline Music label, and it is available from the usual retailers. See www.aimeeallenmusic.com.
Ann Alex

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