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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16221 (and counting) posts since we started blogging 16 years ago. 103 of them this year alone and, so far, 47 this month (Feb. 18).

From This Moment On ...

February 2024

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 22: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 22: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Remi Coulthard-Boardman (voice).
Thu 22: Crooners @ Darlington Hippodrome. 7:30pm. £30.00., £27.00., £24.00., £18.00.
Thu 22: Merlin Roxby @ Prohibition Bar,
Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 22: Soznak @ The Schooner, South Shore Road, Gateshead. 8:00pm.
Thu 22: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Kevin Eland (trumpet); Josh Bentham (sax); Garry Hadfield (keys); Ron Smith (bass).
Thu 22: Vieux Carré Jazzmen @ Carlisle Jazz Club (Carlisle Rugby Club), Warwick Road, Carlisle CA1 1LW. 8.30pm. £10.

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00.
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Saturday, November 03, 2018

CD Review: John McLaughlin and the Fourth Dimension with Jimmy Herring and the Invisible Whip - Live in San Francisco.

John McLaughlin (12 string double neck and 6 string guitars), Ranjit Barot (drums, konocol and vocals), Gary Husband (electric piano and synths), Etienne M'Bappe (bass guitar and vocals). 

James Herring (guitar), Jason Crosby (violin, Fender Rhodes and vocals), Kevin Scott (bass guitar), Jeff Sipe (drums and gong), Matt Slocum (Hammond B3 and clavinet).
(Review by Steve T.)

It's probably easier to think of this as a Mahavishnu Orchestra album and MO Mk 1 was, at least, first and foremost a live band. This is where they changed lives, mine included. Because John is a musician who never really looked back, while there's been plenty of bootlegs, legitimate live recordings of their repertoire are pretty scarce, with three of mixed quality finally getting approval a few years back.

As far as memory serves, this is the same set-list Francis and I saw in Chicago three weeks earlier (about this time last year). It's more or less a best of/greatest hits set - insomuch as such terms have any relevancy here - drawn from the three albums by the original line-up and Visions of the Emerald Beyond from Mk 2; my favourite album and his.


Meeting of the Spirits kicked things off, as it did when he unleashed their debut album on an unsuspecting world in 1971. Straight into Birds of Fire, title track and opener of their follow-up, which seems to have more weight than in the studio, with more power-house drumming and exchanging guitar solos from the two players, and Herring's would be perfectly blistering in any other company. 
     
Back to the debut for Lotus on Irish Springs, which here sounds like it could have been recorded ten years later, in very different times for John McLaughlin and fusion jazz. Dance of Maya is another heavyweight from the same album which leads into Trilogy, from Between Nothingness and Eternity, a live set from 73, released to fulfil contractual obligations, with a studio version eventually rolling up as the millennium drew to a close. Ranjit Barot provides the Indian konocal singing style many people in the West would have first heard in his next band Shakti.
Earth Ship and Eternity's Breath are two killers from the Visions of the Emerald Beyond - an album chocker full of killers - and, while brilliant, the shortcomings in the vocal department are more apparent than I remember from the live gig.
Also from that album, Be Happy was the encore in Chicago and closes this set following more konocal by way of introduction. I can still remember being grateful for the encore, and such an explosive piece late in the set, but also a tinge of sadness that it had to come to an end.
Out now and in your local record store (there’s still a few) for a mere £15. 
Hugely recommended.

Steve T.      

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