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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Sunday, November 04, 2018

Review: Charkie Parlour @ the Globe - November 1

John Garner (violin, composer); Mark Williams (guitar); John Pope (bass); Russ Morgan (drums)
(Review by Ann Alex).
This was a thrilling evening of music, especially from a band which, according to Mr Garner, doesn’t actually exist, because they don’t have a website, haven’t yet produced a CD, and this was their first gig anyway! 

How best to describe this very varied music, all band originals, with influences from free jazz, classical, folk, Eastern music and South African music? I’ll start with the musicians themselves who are known to jazz fans from other bands. John Garner is a classically expert violinist who produced sounds which no violin ought to make, long slides, weeping, squeaking, scratching, besides the more ‘normal’ lyrical tunes, pizzicato, double-stopped chords, and even a cadenza which would have fitted well into a violin concerto by Beethoven.

Mark was quieter than other times I’d seen him, but giving us flowing tunes or jagged effects as required and lots of call and response with the violin. John simply did all sorts, sometimes down at the dusty end of the bass, tweaking, clapping, bowing,  much improvised I’d guess, and with quite a bit of comedy. Our drummer was a million miles away from swing for much of the time, sticks, brushes, mallets, hands, very adaptable and varied.

The sound was great, but even if you hadn’t liked the sound, it was so, so interesting to watch. The free end of jazz is very visual.

So what was played? Twelve or so long pieces, three of them from a suite composed by Garner. Garner explained that the suite was influenced loosely by the writings of Kahlil Gibran in his meditative book The Prophet. Garner had also thrown a dice to help decide the notes and chords to be used.

So Love began with a bowed bass and ‘scratchy’ violin, rather Schoenberg-like, rumbling drums, then pizzicato violin and lots of guitar riffs. The description doesn’t do it justice and it all worked well. The other two pieces from the suite were called Children and Giving.

The first tune of the night was a bit more conventional, opening with riffs and grooves from bass and drum, then a beautiful flowing folky tune from violin, bell-like guitar, a long guitar solo, ensemble climax, and repeated riffs at the end. The Bump, ‘to do with pregnancy’ said Garner, was amusing, with sliding violin, mad guitar, sounds which reminded me of a plane landing or of the music which goes with cartoons.

Foot Fluff was also funny, a short piece with, to my ears, Klezmer effects. Have Violin Will Travel featured ‘travelling’ music, lines of melody appearing to move along, and this morphed at some point into a John Pope composition called Ing. A tune for Halloween was followed by the final piece, There’s No Time Like The Future, which was a lovely hymn-like melody on violin, with improvisation from the others.  

The band play in Edinburgh early in the New Year and a CD is in the pipeline. I spoke to many of the audience who said how much they had enjoyed the performance, so I predict that this band has a promising future. A great evening, with much to interest lovers of more conventional jazz as well as those who like the more ‘free’ style.
Ann Alex

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