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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,822 (and counting) posts since we started blogging 13 years ago. 1239 of them this year alone and, so far, 66 this month (Oct. 18).

From This Moment On ...

October

Fri 22: Mick Shoulder Quartet @ Lit & Phil, Newcastle. 1:00pm. Quartet featuring Alex Clarke (BBC Young Jazz Musician of the Year finalist). SOLD OUT!
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 22: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 22: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 22: Paul Edis Trio w Ruth Lambert @ St Cuthbert's Centre, Crook. 7:30pm.
Fri 22: Michael Feinstein @ Sage Gateshead. 8:00pm.
Fri 22: King Bees @ Louie's Liquor Store, Bigg Market, Newcastle. 8:00pm.
Fri 22: Peter Morgan Trio @ Prohibition Bar, Newcastle. 8:00pm.

Sat 23: Mary Coughlan @ Gosforth Civic Theatre, Newcastle. 8:00pm.
Sat 23: Têtes de Pois @ The Globe, Newcastle. 8:00pm.

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sunday, November 04, 2018

Review: Charkie Parlour @ the Globe - November 1

John Garner (violin, composer); Mark Williams (guitar); John Pope (bass); Russ Morgan (drums)
(Review by Ann Alex).
This was a thrilling evening of music, especially from a band which, according to Mr Garner, doesn’t actually exist, because they don’t have a website, haven’t yet produced a CD, and this was their first gig anyway! 

How best to describe this very varied music, all band originals, with influences from free jazz, classical, folk, Eastern music and South African music? I’ll start with the musicians themselves who are known to jazz fans from other bands. John Garner is a classically expert violinist who produced sounds which no violin ought to make, long slides, weeping, squeaking, scratching, besides the more ‘normal’ lyrical tunes, pizzicato, double-stopped chords, and even a cadenza which would have fitted well into a violin concerto by Beethoven.

Mark was quieter than other times I’d seen him, but giving us flowing tunes or jagged effects as required and lots of call and response with the violin. John simply did all sorts, sometimes down at the dusty end of the bass, tweaking, clapping, bowing,  much improvised I’d guess, and with quite a bit of comedy. Our drummer was a million miles away from swing for much of the time, sticks, brushes, mallets, hands, very adaptable and varied.

The sound was great, but even if you hadn’t liked the sound, it was so, so interesting to watch. The free end of jazz is very visual.

So what was played? Twelve or so long pieces, three of them from a suite composed by Garner. Garner explained that the suite was influenced loosely by the writings of Kahlil Gibran in his meditative book The Prophet. Garner had also thrown a dice to help decide the notes and chords to be used.

So Love began with a bowed bass and ‘scratchy’ violin, rather Schoenberg-like, rumbling drums, then pizzicato violin and lots of guitar riffs. The description doesn’t do it justice and it all worked well. The other two pieces from the suite were called Children and Giving.

The first tune of the night was a bit more conventional, opening with riffs and grooves from bass and drum, then a beautiful flowing folky tune from violin, bell-like guitar, a long guitar solo, ensemble climax, and repeated riffs at the end. The Bump, ‘to do with pregnancy’ said Garner, was amusing, with sliding violin, mad guitar, sounds which reminded me of a plane landing or of the music which goes with cartoons.

Foot Fluff was also funny, a short piece with, to my ears, Klezmer effects. Have Violin Will Travel featured ‘travelling’ music, lines of melody appearing to move along, and this morphed at some point into a John Pope composition called Ing. A tune for Halloween was followed by the final piece, There’s No Time Like The Future, which was a lovely hymn-like melody on violin, with improvisation from the others.  

The band play in Edinburgh early in the New Year and a CD is in the pipeline. I spoke to many of the audience who said how much they had enjoyed the performance, so I predict that this band has a promising future. A great evening, with much to interest lovers of more conventional jazz as well as those who like the more ‘free’ style.
Ann Alex

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