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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Thursday, November 08, 2018

CD Review: Kandace Springs - Indigo.

(Review by Steve T).
Saw her at the London Jazz Festival a couple of years ago and no doubt some Bebop Spoken Here readers will have seen her support Gregory Porter at Sage Gateshead the time before last. 
She's great: charismatic, beautiful (her band-mates are handsome), good singer, good pianist, and her debut was solid, with a fine original in Novocaine Heart and a strong version of the War classic The World is a Ghetto, (though it isn't as good as either of their versions or Benson's definitive take on it), so her follow-up is a big disappointment.

The opening track is called Don't Need the Real Thing, but I think she'll find she does. The song sounds like Michael Jackson, while the next track - Breakdown - sounds like it should be by Adele, and another - Love Sucks - is a ringer for Amy Winehouse. Furthermore, her cover of First Time Ever I Saw Your Face, while a highlight of her live set, brings nothing to the classic Roberta Flack take.

Had it not featured a version of People Make the World go Round, it would have likely languished in my basket until her next northeast visit, but this isn't as good as Angela Bofill's Latin/jazz version of the late seventies or even the Stylistics' original.
Pieces of Me offers the only sign of redemption but it is hardly remarkable.

A female singer on Blue Note with an ear for soul should be a given for me, so I'm hoping this can be put down to the difficult second album and hope she realises it does need to be the real thing in time for her third.  
Steve T.

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