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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Fri 27: Zoë Gilby Quartet @ Gala Theatre, Durham. 1:00pm. SOLDOUT!
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Hip Hop Hooray @ Bar 52, Newcastle. 7:00pm.
Fri 27: John Dikeman, Pat Thomas, John Edwards, Steve Noble @ Lit & Phil. 7:30pm. £10.00.
Fri 27: Rob Heron & the Tea Pad Orchestra @ Hoochie Coochie, Newcastle. 7:30pm. £10.00. on the door. A Swung Eight event.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. Ragtime & stride piano. 8:00pm.

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Thursday, November 22, 2018

CD Review: Fred Hersch Trio ’97 @ The Village Vanguard

Fred Hersch (piano), Drew Gress (bass) Tom Rainey (drums)
(Review by Dave Brownlow.)

In July 1997 jazz piano master Fred Hersch took his trio with Drew Gress and Tom Rainey into the iconic Village Vanguard nightclub in New York for the first time as a band leader rather than as just a sideman. The three Friday night sets of the week-long engagement were recorded but never released. 

Now, twenty-one years later, Fred has chosen to do just that and provide us with his favourite moments from this occasion in the form of the eight tracks on this CD – a mixture of Gasbook standards and original pieces. This is, in fact, the only “live” recording of this particular group and at this time, they were determined to make a name for themselves on the world stage. 

There was a freshness plus vitality and confidence about their playing and a ‘togetherness’ only forged by regular, consistent work and the performances are razor-sharp with the arrangements played to perfection. It has to be said that some of this music is on a par with moments from the Evans and Jarrett trios with strong interplay, creative virtuosity, intensity, tension and release.

Cole Porter’s Easy to Love is an engaging opener where Fred dissects and disassembles the famous old song before reassembling it in a lively, exciting fashion, building his solo in attacking style. An imaginative bass solo leads to a tense ending.

A ten-minute-long My Funny Valentine leads with a dynamic bass solo from Gress which brings his admirable technique and musicianship to the fore then the trio builds up before concluding with a “locked hands” piano solo.

A “cheeky” Three Little Words rattles along optimistically, cheerfully incorporating a ‘call and response’ section from piano and drums.

Fred’s own Evanessence provides a tribute to the late Bill Evans and his legendary appearances at the Vanguard with LaFaro and Motian. Here, Gress takes on the intricate melody high up in the register of the bass – not an easy thing to do ‘in-tune’ and at swift tempo. Bravo!

Dress’ original Andrew John begins with a ruminative, at times atonal, piano section leading to a meditative exploration of the theme and chords where each player contributes sensitively and thoughtfully.

Harry Warren and Mack Gordon’s I Wish I Knew is played in similar fashion to the great Jarrett “Standards Trio” version with lots of dynamic and rhythmic shifts. Here, tension builds through the bassist playing in ‘two/four’ rather than the conventional ‘four/four’ and the drummer’s compulsive drive.

The Hersch original Swamp Thang has a deep bluesy groove. Amazingly, we’re still finding ways to present ‘the most-loved jazz chord sequence of all time’ in different ways – a fundamental core of this great music from Leadbelly to the New Orleans of George Lewis to Lewis Watson, or from Coleman Hawkins to Ornette Coleman and beyond with everything in-between!

Finally, You Don’t Know What Love Is is at a frantic pace where the three ‘virtuosos’ thrill with this show of ability, creativity, flamboyance and intensity.

This CD further cements Fred Hersch’s place in the ‘pantheon’ of jazz pianists in a career lasting so far over thirty years, in which time he’s received a staggering number of  awards, lavish praise and where he continues to take the history of jazz music further and further forward.
Dave B.
The Fred Hersch Trio’97 @ The Village Vanguard will be available from Palmetto Records or from fredhersch.com on December 7.


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