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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

Thursday, November 08, 2018

Bitches Brew @ The Bridge Hotel, Newcastle – Nov. 4

Emma Smith & Signy Jakobsdottir: 
Emma Smith (double bass); Signy Jakobsdottir (percussion).
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Clíona Cassidy & George Burt:
Cliona Cassidy (voice); George Burt (guitar).
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J Frisco: 
Lara Jones (soprano sax); Jemma Freese (keyboards, vocals)
(Review by Steve H.) 

Bitches Brew was set up by bass player Emma Smith to showcase female instrumentalists - a much unsung group of musicians. For several years now, Jazz North East has been delivering a very successful ‘Woman Make Music’  series of gigs (in conjunction with the PRS foundation) so it was a natural fit that these two positive forces should finally come together at The Bridge on Sunday night.

The opening set featured Cassidy on voice and Burt on guitar so this appears to immediately contradict both of the statements I made in my introduction about the ethos of Bitches Brew. Firstly, what was a man doing in the lineup and secondly what was a vocalist doing partnering said male? Fortunately, Smith explained all in her introductions. Firstly, it is not a gender-exclusive project and secondly, since Cassidy uses her voice in such an extraordinary manner it should be classed as a musical instrument rather than a deliverer of lyrics.  I couldn’t but endorse those sentiments as a marvellous innovative and creative set of music was delivered.

Burt is a superb improvising guitarist constantly changing mood and accent and this, coupled with Cassidy’s remarkable operatic voice, produced both auditory fireworks and fascinating tranquil passages. A brilliant combination enthusiastically appreciated by the audience.

The middle part of the evening was provided by J Frisco who are a trio although on both occasions that I have seen them they have been a duo - saxophonist Lara Jones being the only constant. Their music is based on life experiences and they aim to incorporate all of the incidental sounds in the room (eg. glasses clinking, doors squeaking etc.). I think their aim is to take one on a journey and, being in The Bridge, one is certainly reminded of travelling as the trains going to and fro the Central Station can frequently be seen passing the window (a feature of this venue that I always enjoy). Anyway, I’m not sure of how much of a spiritual journey I went on but Jemma Freese and Lara Jones provided a very enjoyable electronically influenced ambient set.

The final set of the evening saw Bitches Brew curator Smith team up with percussionist  Jakobsdottir and what a wonderful treat it turned out to be. Jakobsdittor played a Kalimba on a loop whilst producing amazing sounds on a wide range of instruments. Meanwhile, Smith, on bass, dovetailed with her perfectly.

Sometimes you can go to an art gallery that has fantastic art but the walls are so overcrowded it is hard to appreciate what’s on offer. The same can often happen with musicians who feel obliged to fill any gap. Smith and Jakobsdottir left enough room for the audience to be able to fill the spaces for themselves and let them embrace the entire performance without having to sift through any clutter – simply mesmerising.
At the conclusion of the evening, the first two persons I spoke to summed it up with a single word -'beautiful’. I couldn’t have put better myself.
Steve H.

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