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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Acoustic Infusion with the Mighty Horns - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00. Rick Laughlin & co.

Strictly Smokin’ Sessions - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £8.00. & £6.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Guest: Don Armstrong (reeds). Note earlier start.

Blues

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 02, 2018

CD Review: Kit Downes - Obsidian

Kit Downes (pipe organs) + Tom Challenger (tenor saxophone on track 5)
(Review by Russell)
An album of pipe organs! Improvising jazz pianist Kit Downes also plays the church pipe organ, or rather he did. As a child, he sang in a cathedral choir in Norwich and took lessons with the organist showing an aptitude for improvising. He has maintained an interest in the organ, occasionally visiting churches to play the instrument. In November 2016, Downes recorded this CD on three organs in three churches.


The instruments, of varying dimensions, have their individual characteristics and Downes sought to highlight the differences in his compositions written for the three site-specific organs. In the album’s liner notes Downes explains that at a lower volume the instruments’ subtleties are readily revealed, as opposed to their capacity at full-throttle to be utterly overwhelming. Ten tracks; eight of them are Downes’ compositions, one is co-written with his father Paul Downes and one is an arrangement of  Black is the Colour. The latter is markedly ‘traditional’ compared to Downes’ compositions on which he improvises freely. The CD (recorded at St John’s in Snape, Suffolk, St Edmund’s in Bromeswell, Suffolk, and Union Chapel, London) was recorded close up to the instruments ‘so you can hear all the mechanical noises…’


Saxophonist Tom Challenger is heard on one track – Modern Gods – which, on first hearing, could be Downes, but is most definitely tenor saxophone. This ECM release, as one has come to expect, is beautifully recorded and the CD’s artwork is typically that of the German label.
Russell. 
Obsidian by Kit Downes is released on ECM (ECM 2559 5782651).             

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance