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Bebop Spoken There

George Porter Jr.: ''To me, syncopation is like jazz. It wasn't meant for the masses. It was meant just for a hip few". (DownBeat, May 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18043 (and counting) posts since we started blogging 17 years ago. 364 of them this year alone and, so far, 42 this month (May 15).

From This Moment On ...

MAY 2025

Mon 19: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 19: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Bailey Rudd.
Tue 20: Alexia Gardner Quintet @ Pleased to Meet You, Bridge St., Morpeth NE61 1ND. 8:00pm.

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public). b Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 22: Nuevo Castillo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £5.00.
Thu 22: Anna Reay & Deon Krishnan @ STACK, Exchange Sq., Middlesbrough. 7:30-9:15pm. Free.
Thu 22: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 23: Dean Stockdale Quartet @ The Gala, Durham. 1:00pm. ‘Celebrating Oscar’.
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Anna Reay & Deon Krishnan @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free.
Fri 23: Joe Steels Group @ The Pele, Corbridge. 7:00pm. £10.00. + £1.55. bf. A Northumberland Jazz Festival fringe event.
Fri 23: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 23: Gaz Hughes Quartet @ Traveller’s Rest, Darlington. 8:00pm.
Fri 23: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. £19.00.; £17.00. ‘Time After Time’.

Sat 24: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:15pm. Free. Vocalist Isaacs working with backing tapes.
Sat 24: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 1:30pm. Northumberland County Show.
Sat 24: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 24: Ray Stubbs R&B All Stars @ The Peacock, Sunderland. 6:00pm.
Sat 24: Dean Stockdale Quartet + Mingus Sings @ Queen’s Hall, Hexham. 7:00pm. Admission: see website: www.queenshall.co.uk. Stockdale (piano); Tim Williams (guitar); Gavin Barras (double bass); Gaz Hughes (drums) + Mingus Sings: Sara Oschlag (vocals); Alan Barnes (reeds); Tim Lapthorn (piano); Arnie Somogyi (double bass); Clark Tracey (drums). A Northumberland Jazz Festival event.
Sat 24: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 24: Saltburn Big Band @ Saltburn Community Hall. 7:30pm. £12.00.
Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £3.00. + bf.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 25: Zoë Gilby & Andy Champion: Bandstand Sessions @ The Sele, Hexham. 12 noon. Free. A Northumberland Jazz Festival event.
Sun 25: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 25: Northern Monkey Brass Band @ Spanish City Plaza (outdoor stage). 1:00pm. Free. A Whitley Bay Carnival event.
Sun 25: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 25: Catriona Bourne Quartet @ Queen’s Hall, Hexham. 3:00pm. Admission: see website: www.queenshall.co.uk. Bourne (harp), Francis Tulip (guitar), James Owston (double bass), Joe Bainbridge (drums). A Northumberland Jazz Festival event.
Sun 25: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 25: Struggle Buggy @ The Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. Blues.
Sun 25: Joe Steels Group + Norma Winstone (vocals); Nikki Iles (piano); Mike Walker (guitar); Steve Watts (double bass). 7:00pm. Admission: see website: www.queenshall.co.uk. Steels (guitar); Ferg Kilsby (trumpet, flugelhorn); Ben Lawrence (piano); Paul Susans (double bass); John Hirst (drums). A Northumberland Jazz Festival event.
Sun 25: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 25: Xhosa Cole/Neil Charles/Mark Sanders @ The Globe, Newcastle. 8:00pm. A JNE promotion. Note: Xhosa Cole replaces Nicole Mitchell.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, March 21, 2018

Yes @ Sage Gateshead - March 18

(Review by Steve T)
What a powerful weapon the finale to Stravinsky's Firebird Suite has been for this band. As Steve Howe led them out, a not quite packed three floors of Sage One stood to attention for one of the classic rock bands who refuse to go away. In fact, as happened in the eighties, there are two bands once more and the other is due at the City Hall in the summer.  
Yours is no Disgrace opened things up, the track that stunned the world in 1971, introducing their new guitarist - Steve Howe - and he's now entirely dominant in the band.
A Portuguese mandolin could mean either Your Move/I've Seen All Good People or Wondrous Stories and turned out to be the former, though we got the latter soon after. By the end we'd had said mandolin, two Gibson semi-acoustics, a Les Paul, a Strat, a slide guitar, an acoustic solo piece (Mood for a Day) and another on a stand, enabling a quick switch. Last time I saw him he was immense; and although tonight's performance wasn't quite up there, he’s still the one all eyes are drawn to, including those of Jon Anderson when he's there.
South Side of the Sky from Fragile followed by Sweet Dreams from their second album, the one before their 'giant step' which brought in Howe, and none of this band go back that far.
A song by way of tribute to bass player Chris Squire, founding member with Jon Anderson and the only constant throughout their existence before his death. This is the third time I've seen a band calling themselves Yes without Chris Squire and the first time I've noticed what a strong second vocalist he was. When Steve Howe gets the duty you know they're in trouble. 
And You and I closed the first set of 'greatest hits' with Howe promising excerpts from their most controversial album and an appearance by long-term drummer and Ferryhill lad Allan White. 
In 1973 they released a double album with four tracks each lasting about twenty minutes. This has divided opinion ever since with some, including Rick Wakeman (who left afterwards), thinking it an over-stretch and others thinking it's the pinnacle of Yes and maybe even prog-rock. I think it's a good album but some way short of their best, with three tracks about five minutes too long and the other about fifteen minutes too long. However, Steve Howe has rightly pointed out that this was precisely what people expected and wanted at that time.
Prior to its release, they played it in its entirety during a tour and their City Hall show is legendary as the one, during which, Rick Wakeman ate a curry. I was there but was too far back to smell the culinary distraction.
On Sunday we got two full tracks and excerpts from a third. Ritual is generally thought as the best, with an extended percussion break accompanied by some impressive lighting as Allan White took over the drum chair, the chap he replaced probably getting more from a tambourine.
They all came back for the inevitable encores of Roundabout and Starship Trooper which earned a standing ovation. 
Ricko Waco used to think there'll be a group called Yes years into the future when they're all part of the history books, but has since said any group without Jon Anderson is a tribute group, even one with his son on keys.
Steve Howe may have a credibility issue, with a keyboardist who played on one album in 1980 and has never played with Anderson, a super-fan who briefly played rhythm (like Howe needed it) handling bass, a singer who sounds like Anderson and a drummer. Bruford out of retirement? Unlikely. A certain Dylan? I'd certainly like to see that sometime in the future and it's high time he stopped being a Blockhead.
Meanwhile, Anderson has Wakeman as well as Trevor Raben, who reinvented the band in the eighties, though most think for the worse. Another Union perhaps, leading to another classic(ish) line-up? Watch this space!   
Steve T.

1 comment :

Steve T said...

Apparently there's a comment on facebook questioning whether this is Jazz. The short answer is no but the long answer is far more complex. Certainly the musicians in this band were all well versed in Jazz and they are one of the few rock bands who could stand with Jazz musicians. There was enormous cross-fertilisation between progressive rock and Jazz-rock, with Stanley Clark expressing his admiration for Chris Squire. Many of todays Jazz musicians take influences from prog rock. Some people think Soft Machine are Jazz but most think they're prog-rock. I saw Henry Cow at the London Jazz Festival a couple of years back. In his book, Listening to the Future, Martin put both these bands, as well as Jazz-rock mainstays Mahavishnu Orchestra (MO) in his 'front-line' of prog bands. Red era King Crimson may never have happened without MO. Experimental rock bands (progressive in all but name) like Zappa, Beefheart and Santana are all enormously influenced by Jazz.
Peel has been dead a while now and prog has been entirely re-evaluated and gained enormous credibility with hundreds of new bands and a highly successful mag. All despite over four decades of anti-prog in the media. It's worth noting that Yes, Genesis, Tull and Henry Cow were amongst Peels favourite bands in the early seventies until, spotting that rock was in decline, he swapped to punk-rock to extend his own career. In doing so he caused incalculable harm to music in this country and it's only now people are becoming interested in music again, instead of naughty popstars who are just so anti-establishment.
My own view is that Jazz will become the catch-all term for C20th music which isn't just the nice verses and choruses, haircuts and novelties of media music, and will include the best soul, funk and rock, including the best of the prog bands.

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