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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Nomade Swing Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £10.00. Tickets from Tully’s of Rothbury or at the door (cash only). A Coquetdale Jazz event.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Nomade Swing Trio @ Café Needles Eye, Newbiggin-by-the-Sea. 6:00pm. Reservations: 01670 641224.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: The Ronnie Scott’s Story @ The Fire Station, Sunderland. 7:30pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Thu 25: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Garry Hadfield (keys); Noel Dennis (tpt); Richie Emmerson (tenor sax); Adrian Beadnell (bass).
Thu 25: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Bailiwick + Sleep Suppressor + Christie/Chan @ The Globe, Newcastle. 7:30pm (doors 6:30pm). ‘Experimental evening of jazz, punk and jazz-punk’.
Fri 26: Nomade Swing Trio @ Repas7 by Night, Berwick. 7:30pm. Free.
Fri 26: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Fri 26: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Fri 26: Bold Big Band @ Old Coal Yard, Byker, Newcastle. 9:30pm. A Newcastle Fringe Festival event.

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Sun 28: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 28: Miss Jean & the Ragtime Rewind Swing Band @ Fonteyn Ballroom, Dunelm House (Durham Students’ Union), Durham. 2:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sun 28: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 28: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 28: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 28: Nomade Swing Trio @ Red Lion, Alnmouth. 4:00pm. Free.
Sun 28: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 28: Jeffrey Hewer Collective @ The Globe, Newcastle. 8:00pm.
Sun 28: Milne Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Sunday, March 18, 2018

Jonny Deps In Darlo! The Paul Edis Sextet @ OPUS 4 Darlington, March 16.

Adam Sinclair (drums); Mick Shoulder (bass): Chris Hibbard (trombone); Jonny Dunn (trumpet/flugel); Graeme Wilson (tenor/flute);  Paul Edis (piano).
(Review/photos by Jerry)
It was the best of times, it was the worst of times, the weather was unspeakable, the music was sublime. Welcome to Opus 4 and an all too rare gig by this sextet. A familiar face (and hat) was missing from the line up with Graham Hardy being replaced by a remembered face (from a gig in Crook in 2014), Jonny Dunn.
The opener, Out of Nowhere, with Jonny Dunn first up to solo, brought appreciative calls of “Yeah!” from the audience. It was the only standard of the evening, the other 12 tunes being originals – one each from Graeme Wilson and Graham Hardy with all the rest composed by the band-leader himself.
Hardy’s, The Pounce was the lively opener to the second set with our dep on first solo again. The piece has a great ending – a feature of many of tonight’s originals. I’m not keen on tunes which seem almost to peter out as though the composer had simply run out of ideas. Here, thanks to the immaculate timing of the musicians almost every tune ended with a snap, a surprise, a flourish. Exclamation marks, not rows of dots! Cue applause!

Wilson’s Brand New Mountain featured, unsurprisingly, a great sax solo and, in one of his moments in the limelight, some impressive hand-drumming from Adam Sinclair. Equally unsurprisingly – this being the final number – it ended to demands for an encore which were rewarded with an abbreviated but nonetheless infectious version of Administrate This. “Abbreviated” as everyone did “cameos” rather than solos. Abbreviated because it was late and, in the wee small hours, Graeme Wilson would still be driving back up to Edinburgh – an unenviable journey.
The Edis originals included “old” favourites but the majority were newer and, as yet, unrecorded tunes (at least 6, the nucleus for another CD, surely?). The complex Dorian Gray was followed by a stomping wake-up call in Blues for Dad featuring some scintillating piano and one of the aforementioned great endings. Such juxtapositions made for a pleasantly varied set-list. In the same way, the jaunty Mr. Hipster (nice finger-clicking, boys!) was followed by the quieter, “gospelly” It’s Been, It’s Gone, It’s Happened – one of the new tunes and an excellent one at that.
Every tune is engagingly introduced with explanations of whence it came: a pugilistically inclined Peer (Better Than a Punch in the Face); mam’s homespun Zen-Buddhism (It’s Been, It’s Gone….); a feline fancy inspired by a kitten (The Pounce) or a helter-skelter van ride with a well-intentioned but scary tour-guide/driver (Madeira). This last is another of the new tunes and featured Jonny Dunn on muted trumpet and Graeme Wilson on flute – a distinctive sound combination quite different to anything which preceded it.
A new ballad, Lost, had a fluttering, tremulous opening indicative of disorientation followed later by a tranquil, lyrical piano solo and a quiet solo piano finish. Muddle Through, another new one, featured a well-received bass solo by Mick Shoulder – one of five or six on the night – and some bluesy piano while Cluster Fluster was all about the horns, especially Chris Hibbard’s trombone with a fine solo.
Cluster Fluster, like Dorian Gray, is a title referring to music theory which is too complex for me. However, I do get the composer’s alternative take on it which is: “imagine looking at life through the lens of a drunken clown”! I picture a large man, funny yet sad in equal measure, striving to retain some dignity in a demeaning profession. In the tinkly piano bits he’s surprisingly light on his clown-shoed feet but the brassy chorus, wah, wah, wah, wah – keeps bringing him down. I know the feeling!
All in all, a great gig.

Jerry

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