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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Sat 20: Snake Davis & Helen Watson Duo @ Chopwell Community Centre NE17 7HZ. 7:30pm. £17.50.

Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 21: Salty Dog @ The Globe, Newcastle. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 21: The Big Easy @ The White Room, Stanley. 5:00pm.
Sun 21: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Nomade Swing Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £10.00. Tickets from Tully’s of Rothbury or at the door (cash only). A Coquetdale Jazz event.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: The Ronnie Scott’s Story @ The Fire Station, Sunderland. 7:30pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Thu 25: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Garry Hadfield (keys); Noel Dennis (tpt); Richie Emmerson (tenor sax); Adrian Beadnell (bass).
Thu 25: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Fri 26: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Fri 26: Bold Big Band @ Old Coal Yard, Byker, Newcastle. 9:30pm. A Newcastle Fringe Festival event.

Tuesday, March 13, 2018

CD Review: Owen Broder - Heritage

Owen Broder (alto/tenor/baritone); Sarah Caswell (violin); Scott Wendholt (trumpet/flugel); Nick Finzer (trombone); James Shipp (vibes/perc); Frank Kimbrough (piano); Jay Anderson (bass); Matt Wilson (drums); Wendy Gilles, Kate McGarry, Vuyo Satashe (vocals).
(Review by Lance).
As the name implies, Heritage is saxophonist/composer Broder's exploration of American roots music from Appalachian folk to early blues, spirituals to bluegrass, carefully weaving the elements into another distinctly American musical tradition - jazz.
The album kicks off with Broder's own Appalachian inspired Goin' Up Home with solos by Shipp and Finzer. The latter managing to slot the well known Milt Bernhardt phrase from Kenton's Peanut Vendor into his trombone solo.
Tokyo-born Miho Hazama provided Wherever the Road Leads which gave space for some fine alto playing from Broder, Finzer sans Bernhardt and some country fiddling from Sarah Caswell. An improvised hoedown in them there hills.

Sarah fiddled whilst serving the Jambalaya à la Bill Holman. Holman said: "I picked Jambalaya for its simple melody and harmony, which left space for me to do what arrangers do." It also left space for Wendholt to get some Miles in. Broder added: "This swinging re-imagination of the Cajun tune has closer ties to Birth of the Cool than the streets of New Orleans".
Jim McNeely arranged Cripple Creek drawing parallels with Jazz and Bluegrass. Trumpet, tenor, trombone and fiddle affect the merger of the genres and there ain't a banjo closer than you could throw one. A rousing Dixieland ride-out with some tailgating from Finzer.
Wayfaring Stranger takes me back to my pre-jazz days and a Burl Ives'78'. This Ryan Truesdale arrangement bears little resemblance to the Burl Ives version (or, indeed, Truesdale's Gil Evans' Project). McGarry, Gilles and Sotashe provide words to this bleak landscape that is only made tolerable by Jay Anderson's bass solo.
I'm Not Afraid to Die, a Hazama arrangement of a composition by Gillian Welch, showcases Kimbrough on piano and a mellow flugel solo by Wendholt.
Brodeo, composer Truesdale, captures the atmosphere of the rodeo with the bluegrass and the jazz played out by Caswell and Broder. Wilson's drums perhaps represent the bucking broncos - no, I'm not swearing!
The People Could Fly. Alfonso Horne's piece tells of an African tribe who could fly. They were taken into Slavery and shipped to America where all but one forgot how to fly. That one ancient reminded them how to fly and they flew away to safety. On the album, it is Finzer who flies with down-home earthy plungering. Satashe chants Karuka which means 'to fly'.
Broder wrote A Wiser Man Than me as a New Orleans dirge that allows the group to improvise freely. Broder blows baritone. Classic blues.
An interesting album that grows upon repeated listening.
Lance.

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