Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 20: Edson Angus Quartet @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 20: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Tuesday, March 27, 2018

45rpm Review: Detroit Bop Quintet - Two Birds

Dwight Adams (trumpet); Pete Mills (alto); Rick Roe (piano); Paul Keller (bass); Nate Winn (drums).
(Review by Lance).
Back in 1947, on December 21, the Charlie Parker Quintet went into the United Sound Systems in Detroit and recorded four tracks: Another Hair-do; Bluebird; Klaunstance & Bird Gets the Worm.
The quintet was in Detroit backing Sarah Vaughan at a local nightclub and, with a recording strike imminent, Savoy got the band into the nearest studio to beat the deadline. The tracks recorded that day by Bird, Miles, Duke Jordan Tommy Potter and Max Roach, in years to come, became legendary.
Another Hair-do and Bluebird were released as a single 78rpm on Savoy 961.
Jump forward 70 years during which time United Sound Systems had recorded many more famous names - John Lee Hooker, Jackie Wilson, Bob Seeger, The Rolling Stones, Aretha Franklin and Red Hot Chilli Peppers to mention but some.
They also recorded the Detroit Bop Quintet who recreated Savoy 961 - this time on a two-sided 45rpm disc (although my review copy is actually in CD format).
I'm unsure why! Don't get me wrong. Five very good musicians totally versed in the idiom who pay as a good a tribute to the masters as anyone could.
A tribute that actually does stand up well alongside the originals and, who knows? If I'd heard the Detroit Bop Quintet first...
Also, in this day and age, two tracks are hardly going to excite you like they would in 1947 before the advent of the LP. Perhaps if they'd recorded all four tracks from the session it may have been more appealing.
Having said all that, they're still two excellent sides.
Lance
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