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Bebop Spoken There

Brian Carrick: "I contacted Max Jones of Melody Maker and offered to be his correspondent in the States, but I should have done what Ken Colyer had done, get a job on a ship and then jump ship in the States. So I didn't make it [to New Orleans] till 1973." - (Just Jazz May 1999)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Sunday, March 04, 2018

CD Review: Bobo Stenson Trio - Contra La Indecision

Bobo Stenson (piano); Anders Jormin (bass); Jon Fält (drums).
(Review by Lance)
Piano trios are very much to the fore these days - just about every other CD that drops through the letterbox seems to be a piano, bass and drums unit albeit not an 'easy listening' combo although, in truth, the Swedish Bobo Stenson Trio is easy to listen to.
This, despite being recorded on the always challenging ECM label and featuring music by Bartok, and Satie alongside originals by Jorman, Stenson, Fält and others, the listener's comfort zone is rarely breached.

The trio's take on Satie's sombre Elegié has an underlying swing to it that still manages to retain the pathos of the original.
Delicate, searching, piano by Stenson, sound harmonic content from Jormin - whether pizzicato or arco the double bassist provides an equally important voice to the affair. Drummer Fält is subtle and unobtrusive. No crash, bang, wallop merchant he but a sensitive soul who is felt as much as he is heard. The exception to this is in his intro to Jormin's Hemingway Intonations where Fält produces some bell sounds (For Whom the Bell Tolls?)
Not quite the easy listen it first appeared to be, in fact quite demanding at times but, in the end, well worth the effort.
Lance.
Available on ECM 2582 5786976.

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