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Bebop Spoken There

Dick Katz: "Carmen [McRae] would say some pretty caustic things but, so what? There aren't any people who don't talk caustically to each other at some time unless they're Mother Teresa." - (Lesley Gourse: Carmen McRae Miss Jazz - Billboard Books 2001, 2020)

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Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

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11,772 (and counting) posts since we started blogging 12 years ago. 912 of them this year alone and, so far, 49 this month (August 13).

Coming soon ...

August

Saturday 15: Anth Purdy - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:00pm. Free (donations). Purdy’s solo ‘Swing Jazz Guitar’ show. Limited capacity.

Thursday 20: Vieux Carre Jazzmen - The Holystone, Whitley Road, Holystone, North Tyneside NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Maine St. Jazzmen - Sunniside Social Club, 27 Sunniside Rd., Gateshead NE16 5NA. 8:30pm. Free.

Friday 21: Lindsay Hannon - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 9:00pm. Free (donations). Limited capacity.

Saturday, March 24, 2018

CD Review: (Jon Shenoy's) Draw By Four - Framework.

Jon Shenoy (tenor/clarinet/bass clarinet/flute/alto flute); Sam Dunn (electric & acoustic guitars); Will Bartlett (Hammond B3); Chris Draper (drums/perc.)
(Review by Lance).
As to be expected, lots of groovin' going on. What else when there's a B3 in the middle of it all? Well, in this case, a whole lot more. Sure, the groove is in (Nite Trip) but so is the lyricism (Hand in Hand).
Shenoy displays a melodic sensibility that bears comparision with any of the great saxophone balladeers of yore. He also composed 7 of the 10 tracks as well as drawing out the emotional content of the Brian Wilson/Tony Asher pop tune, Don't Talk (Put Your Head on my Shoulder). Sam Dunn also does some musical loving on this one.
The groove is back in for Tomorrow's Worriers. Lots of repetitive riffs that, at times, made me think the 'virtual' needle was sticking then, just as I was about to give the Dansette a kick, Shenoy or Dunn would burst forth in glorious stereophonic sound.
My Horizon brings us back down. Reflective, languorous, a contemplation of the horizon, maybe a sunset, or maybe a more personal horizon. Quite beautiful.
Shenoy found inspiration for the 3-part Framework Suite in 3 paintings: J.M.W. Turner's Breakers on a Flat Beach; Colonsay Harbour by Gill Holloway and Winifred Knight's The Deluge. Justice is done to the paintings through Shenoy's musical vision and the portraits painted of the paintings by the soloists - they bring them to life.
The album is rounded off with a couple of strange choices: Marriage is For Old Folks, written by Leon Carr and Earl Shuman and recorded by Nina Simone. Shenoy and Dean don't do it any harm both kicking in with lusty solos whilst Bartlett and Draper keep the groove afloat. 
Finally, a further, much further, step back in time - in theory anyhow - with Arthur Schwartz' You and the Night and the Music. Bartlett puts the boot in, Shenoy runs with the ball and touches down. Arthur Schwartz turns over but only so he can hear it better. 
An album that promised much and delivered more. April 8 the band shoot up the M1 to play Seven Arts in Leeds then turn around and head back home stopping off at Kenilworth Jazz Club on April 9. There's also a couple of late-nighters at Ronnie's on April 20/21.
Lance.
Framework is released on March 30 on Jellymould Jazz JM-JJ029.

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