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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17655 (and counting) posts since we started blogging 17 years ago. 929 of them this year alone and, so far, 74 this month (Dec. 31).

From This Moment On ...

January 2025

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 09: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: John H Hammond.
Thu 09: FILM: Soundtrack to a Coup D’Etat @ Tyneside Cinema, Newcastle. 2:35pm. Documentary (dir. Johan Grimonprez) ‘about jazz, (de)colonial history and activism featuring Louis Armstrong, Nina Simone and Dizzy Gillespie’.
Thu 09: Happy Tuesdays @ Ye Olde Cross, Ryton. 7:30pm. Free.
Thu 09: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 09: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. A Tees Hot Club promotion. The session now monthly, next one Thursday 2nd Feb, then first Thursday in the month thereafter.

Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Joe Steels Trio @ The Pele, Corbridge. 7:00pm. Free.

Sat 11: Jason Isaacs @ St James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 11: Under the Wellie @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 12: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 12: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 12: King Bees @ The Tyne Bar, Newcastle. 4:00pm. Free. Superb Chicago blues band.
Sun 12: Dave Bottomley @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Country blues guitar.
Sun 12: Jack Pearce Quintet @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, January 06, 2018

King Bees @ Billy Bootleggers – Jan 5

Michael Littlefield (guitar & vocals), Scott Taylor (vocals, harmonica & guitar), Dominic Hornsby (piano, guitar & vocals), Simon Hedley (double bass) & Giles Holt (drums)
(Review by Russell). 
The Downbeat, the Newcastle New Orleans Jazz Club on Forth Banks, Club-A-Gogo, and latterly Crombie’s Jazz Café. Legendary venues, stories galore (apocryphal or not), add Billy Bootleggers to the list.   
Overheard at the bar: I stumbled across this place by chance. Now I come here all the time. The place is Billy Bootleggers, an American dive bar which is packed to the rafters every time. Blues, American beers, a seat if you’re lucky, and a dance floor full of jivers and wannabe jivers in front
of the band. On stage it’s lounge suits, collars loosened, sweat dripping, this is Chicago’s South Side circa 1950 relocated lock, stock and two smokin’ blues barrels to Newcastle, England 2018.

Tonite’s band, the King Bees, fronted by Michael Littlefield and Scott Taylor, delivered the goods. Close your eyes and you were in Chicago. Littlefield’s vocal style incorporates Sonny Boy (I Don’t Know, the evening’s opening number), Otis Rush (If You Were Mine) and Louis Jordan (Caldonia).  His guitar playing,  obsessive in its quest for authenticity, Littlefield’s approach is that of the Chicago guitar greats – he isn’t interested in flashy solos. Scott Taylor is a mean harp player (frustratingly a little low in the mix) with a terrific blues voice (Big Walter Horton’s Hard Hearted Woman). Dominic Hornsby could be Otis Spann playing piano, and he played guitar, and he sang. A talented young man. Talking of talent, the towering Simon Hedley’s double bass playing cut through – a welcome change from the usual, pragmatic electric bass alternative of so many blues band bass players. A young man sat obscured behind Littlefield and Taylor. His name? Giles Holt. Occupation? Rhythm and blues drummer par excellence. Secreted in the corner, not seen all night but heard playing the drums that many can’t/don’t/won’t play. Holt’s restrained style is to die for.                       
An unexpected instrumental, the only one of the night, covered for Littlefield as he changed a rare broken string, with the band playing Don’t Get Around Much Anymore. Restrung, Littlefield and co ripped through their set list culminating in no fewer than three encores with the band referencing a legendary early sixties appearance at Newport by Muddy Waters as the King Bees played Got My Mojo Working not once but twice! And, of course, Hoochie Coochie Man.The King Bees gig around town (Billy Bootleggers is the place to hear them), be sure to check them out, they’re the business.       
Russell.

2 comments :

Stewartd said...

Spot on Russell - I was there too, and will be back next month for their residency!

Anonymous said...

I was there too. Love this venue and loved the band. Spot on when it comes to the guitarist too - nothing your average person would call flashy but as a guitarist myself, I really appreciated his style - so authentic and so tasteful.

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