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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: East Coast Swing Band @ Morpeth Rugby Club. 7:30pm. £9.00. (£8.00 concs).
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Mon 29: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 29: Michael Young Trio @ The Engine Room, Sunderland. 6:30-8:30pm. Free. ‘Opus de Funk’ (a tribute to Horace Silver).

Tue 30: Celebrate with Newcastle Jazz Co-op. 5:30-7:00pm. Free.
Tue 30: Swing Manouche @ Newcastle House Hotel, Rothbury. 7:30pm. A Coquetdale Jazz event.
Tue 30: Clark Tracey Quintet @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.

Saturday, November 11, 2017

Tomasz Stanko Quartet and Partikel, EFG London Jazz Festival, Cadogan Hall, November 10.

(Review by Mike Collins)
It was over an hour before Tomasz Stanko (trumpet) reached for the mic, his introduction of the band barely audible over the cheers and whoops echoing round Cadogan Hall.  There had been musical announcements as Stanko let fly a conversational flurry of chromaticism, or David Virelles (piano) sketched a few dark chords to direct the band towards the next episode.  This was a remarkable, fluid performance, steadily intensifying over the course of the long set of contrasting moods and textures.
Stanko’s modus operandi is atmospheric and episodic acoustic jazz that encompasses hypnotically grooving, loose-limbed pieces built around fragmentary hooks; languid, deceptively simple melodies with expansive and rich harmony; jagged flurries of notes over racing meters. The accompanying trio, completed by Reuben Rogers on bass and Gerald Cleaver on drums explored every nuance and possibility.
They crept in over Rogers’ steady, walking line and accumulated an unstoppable momentum to open the set. A scattering of rhapsodic chords from the piano ushered in a typical wispy, plaintive melody from the trumpet. There was a palpable thickening of the atmosphere as the silence between notes was allowed to swell. Virelles allowed the faintest of repeated notes to chime and the trumpet sighed. Then Cleaver started an urgent shuffling groove, Rogers’ bass locked in, Stanko assayed a few sliding dance steps before spooling out another Stank-ish ditty and standing back having lit the touchpaper.  
Virelles produced the first of several volcanic solos. Crystalline phrases were repeated, repeated again, turned upside down with percussive counterpoint from his left hand before a pummelling battery of rhythms doubled with an eruption from Cleaver who’d been shadowing every move. Even Reuben Rogers was whooping from behind the bass. Stanko’s contributions were invariably brief, as much a conductor and on the spot orchestrator as frontman, his fragile sound sketching out the territory whether with squalls of notes or filigrees of melody. Cleaver was an immense presence whether filling the canvas with skittering shimmers of texture from the cymbals or building the tumult with boiling rhythms.  
The American trio has brought an extra dimension to Stanko’s music, this set was drawn from the most recent release December Avenue  and the roars for more recognised we’d witnessed something special.
Partikel played a short opening set offering a brief gust of a distinctive blend of striking melody, artfully shifting harmony and infectious grooves with often surprising turns. Guitarist Ant Law joined the regular trio of Duncan Eagles (sax); Max Luthert (bass) and Eric Ford (drums).  
Their well-received set will have whetted plenty of appetites.
Mike.

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