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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 28: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 28: More Jam Festival Special @ The Globe, Newcastle. 2:00pm. Free. A ’10 Years a Co-op’ festival event.
Sun 28: Swing Dance workshop @ The Globe, Newcastle. 2:00-4:00pm. Free (registration required). A ’10 Years a Co-op’ festival event.
Sun 28: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 28: Scott Bradlee's Postmodern Jukebox: The '10' Tour @ Glasshouse International Centre for Music, Gateshead. 7:30pm. £41.30 t0 £76.50.
Sun 28: Alligator Gumbo @ The Globe, Newcastle. 8:00pm. A ’10 Years a Co-op’ festival event.
Sun 28: Jerron Paxton @ The Cluny, Newcastle. Blues, jazz etc.

Saturday, November 25, 2017

Blues and Art of Chicago.

(Observations by Steve T)
Some people think American skyscrapers are ugly, but I find them amazing and Chicago more so than New York - real fantasy/sci-fi stuff. Chicago seems a long way to go for a concert, but the Windy City was on my bucket-list anyway, alongside San Fran, New Orleans, Boston and Vegas. The city that gave the world electric blues and Curtis Mayfield, who many think will ultimately be considered one of the finest human beings who ever lived.
We were left with a trek to the three gigs, two of which we did entirely by taxis, but by a stroke of luck, were literally around the corner from Buddy Guy's world-famous club - Legends.
A similar walk in the other direction found us at the Art Institute of Chicago, with the most incredible collection of Impressionism and Modern Art, including multiple famous pieces by masters including Picasso, Braque, Cezanne, Gaugin, Van Gogh, Monet, Manet, Degas, Renoir, Seurat, Matisse and Dali.
Parallels are often made between Modern Art, particularly Picasso, and Modern Classical Music, particularly Stravinsky, but comparisons also extend to Jazz - Gerry Mulligan and Ben Webster spring to mind - and I found it a fitting backdrop to a weekend of Jazz.
When BB died, the mainstream pop/rock media promptly proclaimed Buddy Guy the greatest living blues artist, but I thought he became that when Muddy Waters died in the early eighties, or maybe when Albert King died a few years later. If you judge it by music, and I would suggest you should, Buddy has had a run of albums since which are unparalleled in blues, which may just make him the greatest ever.   
Luckily there was nothing on at Legends on the evenings, as it has a strict over twenty-ones policy, but on Friday afternoon Fruteland Jackson entertained us with his Strat, harmonica and (small s) soulful voice on a mix of classics and originals. Unfortunately, Mike Wheeler, a great guitarist with a large S soulful voice had to cancel on the Saturday and Fruteland got to do it all again.
On Friday night I popped in for a couple and caught an indeterminate multicultural six piece of drums, bass, keys, guitar and voice with a sax/ trumpet horn section for some blues covers and originals, and covers of famous soul hits.
Lots of guitars, pictures and paraphernalia around the walls and some of the staff were keen to talk about their boss, the blues and Black Music. Others were just after your money. I had thought it might be a bit touristy, like Ronnie Scott's, but it's a great club and would be fantastic with a real blues artist playing to real blues enthusiasts.
Like Chicago and USA, it's all about contradictions and I found I loved things and loathed things, often simultaneously and sometimes for the same reason.
Steve T

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