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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 1:00pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Monday, November 06, 2017

CD Review: Sinne Eeg - Dreams

Sinne Eeg (vocal); Jacob Christoffersen (piano); Larry Koonse (guitar); Scott Colley (bass); Joey Baron (drums).
(Review by Lance).
Considered the pre-eminent jazz vocalist in Scandinavia, Danish singer Eeg and fellow Dane Christoffersen touched down in Brooklyn and teamed up with three top names on the American jazz scene to record an album that will serve well her ambition to achieve wider recognition on the world stage - a stage that's already overcrowded with female voices. 
Nevertheless, Eeg has the voice for it. Swings lightly, scats gently, takes liberties with the melody, but no more than say Anita O'Day or Sarah Vaughan did and, on top of that, she wrote 6 of the 10 songs, one in cahoots with Mads Mathias - Head Over High Heels. There's also a couple of Cole Porter's (What is This Thing Called Love? & Anything Goes), Rodgers and Hart (Falling in Love With Love) and De Paul and Raye chip in with I'll Remember April. Eeg's songs hold up well alongside those by these GASBOOK GANG heavies.
Aleppo is perhaps the most poignant song I've ever heard. Recent events in Syria provide the background - no! the foreground - to this heartrending saga of man's inhumanity to man and the devastating effect on children unable to comprehend the world they've been born in to. Just as Strange Fruit was, back in the 1930s, Aleppo is as much a social commentary as it is a song. I'm fighting back the tears as I type. (See video below).
I'll Remember April lightens the gloom with some relaxed scatting and Larry Koonse contributes a delicate solo.
Anything Goes swings along with nice piano by Christoffersen, more scatting and some new lyrics by the singer:
There was a time when talent mattered 
when singers were being flattered 
on TV shows, 
now anything goes.
And so on...Take it from me - talent matters here and Sinne Eeg has it in abundance.
Available December 1 on Stunt STUCD17112 with UK distribution by Discovery.
Samples.
Lance.
Video.

6 comments :

Holly Cooper (on F/b). said...

Thank you, Lance! Beautiful review, and I agree about Aleppo's poignancy.

Ann Alex said...

Lance, I want to take issue with you over the issue of female voices, otherwise women singers. Why are there too many? Surely the more the merrier. It seems to me that there are loads of sax players, but I would never say too many, and neither would you, so why pick on women singers?

Russell said...

Ann, female voices are 'ten-a-penny'. This shouldn't be read as a criticism, merely an observation. There are relatively few male singers. One could ask the question: Why is this? But a much more interesting question is: Why are there so few female instrumentalists? Look no further than sexism.

Anonymous said...

Russell I think the phrase 'ten a penny' does sound like a criticism, quite a put down. I think there are more women singers for reasons to do with the history of jazz. I wish there were more male singers and more women instrumentalists and you are right that it's possibly to do with sexism. Ann

Russell said...

Ann, tenor players (invariably male), are 'ten-a-penny'. That isn't a put down. More male vocalists? I agree, that would be great but don't hold your breath, sexist stereotypical roles will prevail for sometime yet.

Lance said...

I've just added the Aleppo video which transcends the other comments.

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