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Bebop Spoken There

Abbie Finn: "Even though there's a lot of great work being done to promote women in jazz, I still come up against some attitudes! I pulled up at a recording session with my drums in the car and the studio owner said, 'I'm sorry, this space is reserved for the drummer!'" - (Jazzwise April 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15245 (and counting) posts since we started blogging 15 years ago. 264 of them this year alone and, so far, 77 this month (March 25).

From This Moment On ...

March

Tue 28: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 28: Sanaz Lavasani Trio + Abbie Finn @ Black Swan, Newcastle Arts Centre. 8:00pm. £12.00 (£10.00. adv).

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: 4B @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £2.00. All welcome.
Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. Back to 1:00pm stomp off. Free.
Thu 30: Castillo Nuevo @ Revolución de Cuba, Newcastle. 5:30-8:30pm.
Thu 30: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm. Free.
Thu 30: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Sunderland. 8:00pm.
Thu 30: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 31: Lewis Watson Quartet @ Bishop Auckland Town Hall. 1:00pm. SOLD OUT!
Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 31: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm. CANCELLED! Back next week (April 7).
Fri 31: Castillo Nuevo @ Revolución de Cuba, Newcastle. 5:30-8:30pm.
Fri 31: Jasmine Myra + Waclaw Zimpel @ Cobalt Studios, Newcastle. 7:00pm.
Fri 31: The Revolutionaires @ The Shack, Boldon Colliery. 7:30pm. £10.00. The Revolutionaires' big band (horn section) line-up.
Fri 31: Andrew McCormack @ Maltings, Berwick. 8:00pm. £20.00.

April
Sat 01: The Big Easy @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning - In a Minor Key. £25.00. Enrol at: www.jazz.coop.
Sat 01: Abbie Finn Trio @ The Vault, Darlington Covered Market, Darlington DL1 5PN. 6:00pm. New venue, live jazz!
Sat 01: Boys of Brass @ Stack, Seaburn. 7:00-9:00pm.
Sat 01: Hot Club du Nord @ Pleased to Meet You, Bridge St., Morpeth. 8:00pm. £79.00. A charity fundraising event.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00. RESCHEDULED to next week (Sat 08).

Sun 02: Smokin' Spitfires @ The Cluny. 12:45pm.
Sun 02: 4B @ The Exchange, North Shields. 3:00pm.

Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Thursday, November 02, 2017

Mike Durham’s Classic Jazz Party - Sunday October 29

(Review by Russell)
Another jam session, another late night. The clocks went back at 2am, so, an extra hour in bed…
for some. Day three of the Mike Durham Classic Jazz Party, twelve noon, the finishing straight in sight, just another fifteen hours or so to go.
As noon approached, Jonathan and Brigitte rehearsed their steps ahead of accompanying Josh Duffee’s opening set. Four Bright Sparks took to the stage; Duffee playing xylophone (!), Michael McQuaid, reeds, Martin Wheatley, guitar, and pianist Morten Gunnar Larsen. In 1920s Britain the Columbia record label recorded the Four Bright Sparks with American Rudy Starita on xylophone. It was fitting, therefore, that our man from Iowa, Josh Duffee, should help recreate a slice of jazz (British jazz) history. For this half-hour set Duffee played the xylophone on the floor of the hall with his fellow Bright Sparks sitting on the stage behind him. The focal point of the set featured music and dance as Jonathan and Brigitte took to the floor to demonstrate the ‘Kerb Step’ with cameras flashing, the (sepia-tinted?) moment instantly filed in the Classic Jazz Party’s archive.
Nicolle Rochelle sang with French trumpeter Malo Mazurié’s Alternative Hot Five and half an hour later Britain’s trumpet star Jamie Brownfield took on the role of Jabbo Smith. The 1929 Brunswick sides provided the core of the programme and JB did more than simply interpret Smith with a fiery display. The 2017 Classic Jazz Party certainly came up trumps when invitations went out to Malo and Jamie. And to think that the Americans – Messrs Davis, Heitger and Schumm – were in town!

Malo Mazurié took up the trumpet at seven, and now, at 26, the Frenchman fronted a set – Malo - Boy meets Horn which illustrated his command of a breadth of styles through to swing and beyond. He was in good company working with fellow countryman Jean-François Bonnel, Jacob Ullberger, guitar, and Malcolm Sked, double bass.

Local stars Emma Fisk (pictured) and Phil Rutherford featured in a one hour set titled Hot Dance Music. The senior men on the platform – Keith Nichols and Claus Jacobi – assembled a mid-20s conventional eleven-piece band to play the ‘hot’ arrangements of the day. Malo Mazurié, playing cornet on this session, was having a busy afternoon and his fellow frontline horns – Jacobi, Lars Frank, and Jean François Bonnel – revelled in friendly, but hot, exchanges.

100 years of ODJB marked the centenary of the Original Dixieland Jazz Band’s first recordings. In an all too short half-hour set it was fascinating to hear Andy Schumm and Michael McQuaid talk in reverential tones about their near-obsessive efforts to literally walk in the footsteps of their heroes. Teddy Brown & His Band – Elstree Calling took its cue from the British made 1930 musical revue film Elstree Calling (Alfred Hitchcock was one of the film’s four directors). Teddy Brown starred in 1930, Josh Duffee, playing xylophone, starred in 2017.

Bennie Moten – Get Goin’ surveyed the early days (circa 1929) of the swing bands which would go on to dominate during the 1930s. Keith Nichols, resplendent in red braces, played piano-accordion on this set with Morten Gunnar Larsen at the piano. Royal College of Music graduate Richard Exall sat in an all-star, all-European reeds’ section and more than held his own. The Basie influence was evident in another marvellous set which closed the afternoon’s programme.

The final session, Sunday evening, had an end-of-term feel about it. Morten Gunnar Larsen began his ‘The Professor’ piano set without fanfare as festival goers made their way into the hall. Chicago born, British resident, Joan Viskant sang with Keith Nichol’s Meat Packin’ Mama ten piece band. A fine set of stockyard, stevedore-era Chicago jazz entertained a fresh-as-a-daisy audience.

A couple of short but sweet sets – Jacob Gershovitz Got Rhythm and Duke Heitger’s Jazz – set up a grand finale to this year’s Classic Jazz Party. The Gershwin set served to further illustrate the US émigré songwriters’ contribution to the jazz world as Keith Nichols earlier so eloquently commented upon. Duke Heitger’s thirty minutes’ worth of small group jazz provided some of the hottest material heard during the weekend – and that’s saying something! Flanked by Ewan Bleach, reeds and Kris Kompen, trombone, Duke’s boys had a blast.

The closing concert of the 2017 Mike Durham Classic Jazz Party presented the now traditional big band ensemble led by Keith Nichols and Josh Duffee. The Nichols-Duffee All-Star Orchestra took to the stage in regulation penguin suits and they were to be joined by the fabulous Nicolle Rochelle to sing a few numbers. The packed room hung on every note knowing that this was it until the next time. Next year, 2018, the all important dates for the diary are November 2-4.
Russell

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