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Bebop Spoken There

Van Morrison: ''Basically, I'm coming from jazz. Not pop, not rock, not what's commercial. That's where I started, and that's still where I am. I feel the same as I did when I was listening to Louis Armstrong, Lead Belly, Jelly Roll Morton''. (The Northern Echo, 12 June 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

1803759 (and counting) posts since we started blogging 17 years ago. 480 of them this year alone and, so far, 58 this month (June 18).

From This Moment On ...

JUNE 2025

Sat 21: Jason Holcomb Jazz Ensemble @ The Engine Room, Sunderland. 5:30-7:30pm. Free. A 'Sunderland Year of Music' event.
Sat 21: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 21: Red Kites Jazz @ Staithes Café, Dunston. 7:00-9:00pm. Free.
Sat 21: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 22: Phoenix 4 @ Wallington, Northumberland. 12 noon-1:00pm & 2:00-3:00pm. Tel: 01670 773606. National Trust admission prices apply. ‘Tunes in the Blooms’.
Sun 22: Lapwing Trio @ Wallington, Northumberland. 1:00-2:00pm. Tel: 01670 773606. National Trust admission prices apply. ‘Tunes in the Blooms’.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Jason Isaacs Trio @ Pilgrim, Newcastle. 4:00pm. £18.00. + £1.08 bf.
Sun 22: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 23: MSK Trio @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance.
Mon 23: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.

Tues 24: ???

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 25: The Magpies of Swing @ The Roxy, Leadgate, Co. Durham. 7:30pm. A Ginger Jitterbugs swing dance event, all welcome.

Thu 26: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Brass Instruments & the use of mutes.

Fri 27: Lewis Watson Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 27: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Strictly Smokin’ Big Band @ Gosforth Civic Theatre, Newcastle. 8:00pm. ‘Time After Time’.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, November 05, 2017

The Julija Jacenaite Trio @ The Globe: November 4

Julija Jacenaite (vocals, shakers); Steve Glendinning (guitar); Paul Grainger (bass)
(Review by Ann Alex/Photo courtesy of Huang Wei Ting)
This is my Gig Of The Year, no question about that. It was a brilliant performance by Julija, who also brought out the best from the musicians, who are among the best anyway. I’d seen this lady give great performances at the Jazz Cafe Tuesday jams, dramatic, soulful renditions of songs with which she wowed the audience, but tonight the full force of a totally engaging personality was revealed. Not only did she give wonderfully inventive versions of the songs, but she had the audience joining her in a couple of choruses, she mentioned many audience members by name, she told us all that she was grateful to be performing for us, and she added humour to some song interpretations, even causing Paul to be somewhat embarrassed in a fun way. I’ve rarely seen such effective musical chemistry as there was between Steve on guitar and Julija’s vocals. I feel sorry for people who weren’t present last night, especially women singers, who could learn loads from watching the performance.
The trio was even colour coordinated, all in black except for Julija’s blue hat. The songs included:
Masquerade; a voice with some similar tones to Billie Holiday, and with a big range and every word crystal clear, lots of playing with the words and scatting which fitted well, not just there for its own sake.
Angel Eyes; Very soulful, with Julija’s left hand moving as if playing an invisible sax. (She actually plays piano, don’t know about sax).
Aqua Bebe; In Portuguese (I think), she beats out the rhythm on the side of the bass, Paul embarrassed but pleased, the audience joins in the chorus.
Lia (this means rain in Lithuanian and I should have checked the spelling), her own song, all about the rain in her homeland.
Storm; an original with lyrics written by a friend of the singer.
Mood 3; an original in English, a love song, with whispered scat.
And I forgot to mention that Paul and Steve had loads of space for long solos in many songs, which they fulfilled well.
Second Set
One Note Samba and Cry Me A River; the latter is like Summertime, sung too often, but our singer managed to make it sound fresh.
All Of Me; such fun, Julija pointing to Paul for the low bits and to Steve for the high, such humour and a bit of embarrassment.
There’ll Never Be Another You; slow and sweet, then fast, then morphing back into the previous song, to the surprise of the musicians I suspect, but they could cope!
Mood Indigo; very slow, she gets down, almost kneeling, very expressive, but didn’t take herself too seriously.
I left the room for what the Americans call a comfort break and returned to find the audience singing along with something that seemed to be Lithuanian (Lyja).
What A Wonderful World; the ‘straightest’ performance of the gig, sung sincerely, and she told us about childhood memories of the song, which turned her on to jazz singing.

The audience then demanded an encore which I missed as the Metro was calling me home.
If you weren’t there, you’ve missed a Gig Of The Year. Need I say more?
Ann Alex

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