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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Baghdaddies @ Spanish City Plaza, Whitley Bay. 3:00pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Northern Monkey Brass Band @ Spanish City Plaza, Whitley Bay. 4:30pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Wednesday, November 22, 2017

CD Review: The Mark Zaleski Band - Days, Months, Years.

Mark Zaleski alto & soprano saxes, bass. Jon Bean tenor sax. Glenn Zaleski piano & Wurlizer. Mark Cocheo guitar Oscar Suchanek drums. Danny Weller bass (track 6).
(Review by Dave Brownlow.)
This CD release showcases the talents of a group of six musicians who’ve worked together for eleven years without major changes in personnel – a rare situation in the world of jazz today. The second unusual fact about the CD is that the leader plays both saxophone and double bass (NOT at the same time of course!) through the wonders of modern technology – over-dubbing. Mark Zalesky plays alto or soprano sax on all tracks, AND bass on five tracks while regular bassist on “live” gigs Danny Weller, appears on one track. What started about eight years ago - tinkering with a bass as a hobby – has resulted into a situation where Mark Zaleski is accomplished on all three of his instruments and gets calls for gigs with many of the U.S. big names either on bass or sax. As an Educator, Mark has also taught at three Colleges and is also a fine arranger and composer.
Mark In The Park is an original by Mark which has something of the sound of the “Blue Note” label hard-bop feel to it. A well planned theme statement soon gives way to the altoist’s strong solo over his own firm bass lines. An interesting segment follows with drums to the fore over a hypnotic piano/bass sub-theme leading to a final flourish .Cerina also an original, begins with alto and tenor saxes in an unaccompanied improvisation leading to a ‘Latin’ tinged ensemble passage and a powerful, somewhat frantic guitar solo. A tenor solo follows which slowly builds atmospherically (nice to hear someone not totally in thrall to Coltrane!) and a short reprise of the theme.
The title track Days, Months, Years includes cleverly-arranged segments from the piano, a vigorous tenor sax then bass, leading to a quiet conclusion. The leader always uses his resources well with details and sound musicianship. Monk’s Epistrophy follows in a brand-new arrangement where Mark completely re-thinks the great jazz standard. A ‘stormy’ guitar solo over Wurlitzer keyboard backing leads to a surprisingly abrupt ending.
Katie’s Song (written as a dedication to a child-hood friend killed far too young in a car accident) has the leader on soprano in a performance which begins in ballad tempo then moves into a section where the sax wails expressively and excitingly over a rocking, funky backbeat. Katie must have been quite somebody ….! 
Finally, Charlie Parker’s Big Foot is played at half the tempo of the original, giving it a surreal quality to anyone who knows Bird’s recording on ‘Dial’. This track features regular bassist Danny Weller who delivers a virtuoso solo leading to a coruscating, bluesy outing from the leader well away in style from Charlie’s own conception.
Overall, a thoughtful album from a very capable group with nods to the past and the future.
CD available now from www.markzaleskimusic.com
Dave.

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