Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Monday, November 27, 2017

CD Review: Django Bates' Belovèd - The Study of Touch

Django Bates (piano); Peter Eldh (bass); Peter Bruun (drums).
ECM records are usually met with a reluctance by most of our reviewers. In general, the response  is one of apathy, Suddenly, they have a migraine, or their aunt has died, they're on holiday, they're working overtime, they've got to paint a fence - "Which fence?" "Any fence". And so it goes on, the upshot being that the output from ECM is very much an acquired taste.
On this occasion, it was down to me to bite the bullet and it actually turned out to be a very tasty bullet indeed.
Bullets fired by Django Bates usually are and this was no exception.

A piano trio it may be but this is far removed from lounge music. This is Bates at his reflective best. Exploring, finding so many options, Bill Evans, Bach, Jarrett, Chopin, Lennie all interwoven into a rich tapestry that emerges as totally his own. 
All compositions are by Django Bates apart from This World by Iain Bellamy and a blistering Passport by Charlie Parker. I recall Bates playing a concert as a member of this very same, excellent, trio at GIJF back in 2011 - My Belovèd Bird. The Bellamy piece was included at that concert and dedicated to the late Paul Gamblin, a northeast guitarist who went on to greater things and tragically died playing rugby.
The fact that the pianist is still playing it 6 years on speaks volumes for the esteem in which he still holds Paul.
We all do.
Lance.
PS: ECM - all is forgiven.

1 comment :

Ken D said...


I was late in discovering Django Bates - but what a revelation when I did !! Having previously seen and enjoyed EST and Tord Gustavsen (the similarities being they are all modern piano-based trios) I was bowled over by his and his trio's refreshingly modern (i.e. contemporary) and distinctive style.

I've seen him live in Gateshead, Wakefield and Huddersfield, and fully support your approval for his inclusion in ECM's burgeoning list of recorded artists. ECM by its very definition covers a range of contemporary music styles, centred on Jazz, world, and more recently, western classical music, so it's good to see another admirer in the fold! So, whilst you have admirably forgiven ECM, will they forgive those disbelievers for missing out on the joy they've brought over many years of music production of the highest quality ? ;)
Ken

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