Total Pageviews

Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 13: Giles Strong Quartet @ Claypath Deli, Durham. 7:00-9:00pm. £10.00.
Sat 13: Phantom Bagman + Forgetmenots @ Prohibition Bar, Newcastle. 7:30pm.£5.00. + bf. Upstairs.
Sat 13: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Downstairs.

Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 14: Alan Law, Jude Murphy & Tim Johnston @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 14: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 15: Dave Newton @ Yamaha Music School, Seaforth St., Blyth NE24 1AY. 1:00 - 1:45pm. £8.00. + bf. Newton, solo piano.
Mon 15: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Hideout @ Cluny 2, Newcastle. 7:00pm. £7.50 + £1.33 bf. Feat. Sleep Suppressor + Flat Moon.
Mon 15: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 16: The Horne Section’s Hit Show @ Middlesbrough Town Hall. 7:30pm.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Bradley Johnston, Paul Grainger, Bailey Rudd.

Wed 17: Bailey Rudd (Minor Recital) @ The Music Studios, Haymarket Lane, Newcastle University. 11:40am. Bailey Rudd (drums). Open to the public.
Wed 17: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: The Horne Section’s Hit Show @ The Gala, Durham. 7:30pm. SOLD OUT!
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Tuesday, February 14, 2017

Kathy Dyson stands for General Secretary of the Musicians’ Union the first and only woman ever to do so in the union’s 123 year history

Jazz guitarist, academic, composer and trade union activist Dr Kathy Dyson is standing for General Secretary of the Musicians’ Union in the upcoming election. She is the first and only woman ever to do so in the 123 year history of the union and is challenging current Assistant General Secretary Horace Trubridge for the post. Kathy is standing because she believes the union has to change in order to meet more effectively the unprecedented challenges we are now facing. 
Kathy says: ‘I’m standing for a more feminist, inclusive and collaborative approach to working together, and for a decentralised union that fights more strongly for funding, musical work, and instrumental music education in all the regions.  We need to create a long-term policy and strategy for every area of music we cover as a guide for action. We must also involve members more fully in our collective endeavour.’

As a jazz musician and award-winning jazz educator, Kathy believes that organising initiatives, such as the Fair Trade Music campaign by the AFM in the States, will help to improve fees and generate better work for jazz musicians. Many jazz musicians also rely on instrumental teaching work, which is under threat from local authority and central government funding cuts. 
Kathy says: ‘We can build on our existing work creating cooperatives with music teacher members. We can also help to improve fees, wages and conditions by focusing more resources on fighting funding cuts and working more collaboratively with regional arts organisations.’ 
For more information please contact Dr Kathy Dyson at: kathydyson175@gmail.com.
----- 
Dr Kathy Dyson GS Election Biog and Vision 
As a jazz musician and instrumental teacher, I've been working since the late 70s and have toured the UK and Europe quite extensively: I know what it’s like to be out there over the long haul and the challenges in sustaining a career and making a living. I play in a duo with my husband John and have run various bands over the years, including recently working with Deirdre Cartwright on the Emily Remembered project - the album got a 4* review from John Fordham in the Guardian and a UK tour. 
I hold a PhD from Sheffield University and have done a lot of research into music education - specifically in learning jazz improvisation.  I've written and presented many conference papers but also two substantial commissioned reports for Arts Council England which led to more funding for jazz musicians and jazz education in the North West and North East. As a Senior Lecturer in Jazz at Leeds College of Music, I won Jazz Educator of the Year 2010 at the Parliamentary Jazz Awards, in recognition of my work.

In a leadership role, I was Chair of the board of Inner City Music that runs the legendary Band on the Wall venue in Manchester for 10 years and lead  a 4.5m pound capital fundraising project from ACE, HLF and MCC to refurbish and extend the venue. Having seen the project through and been instrumental in creating a new business model, the venue reopened in 2009 to great acclaim and goes from strength to strength. 

I’ve been a union activist since rejoining the union in 1996, after a long stint touring in Europe, and progressed from Manchester branch member to branch chair to EC member then EC VC and Chair.  I’ve always been part of the wider TU movement representing the union at TUC, Labour Party Conference and the GFTU meetings, and speaking and lobbying on our issues. I’m currently on the Women's TUC committee and helping to organise their conference (which I’ve spoken at many times) and generally tackling the inequality  that women still face. Despite our strong and specialist presence in the Labour movement we still have a great deal of work to do to persuade our trade union colleagues of the importance of music and that musicians are workers like any other and deserving of good pay and conditions. 

I am committed to improving the lot of musicians and musicians who teach and have devoted a great deal of my own time to be a strong advocate for music and musicians for over 20 years.

This experience represents my past and now we are looking to the future. It would be a great honour and privilege to take on the role of General Secretary and I would bring a lot of different qualities to it, in collaboration with our committed and highly knowledgeable officials and the huge range of skills that you as members have. 

Goals/manifesto 

In terms of my goals/manifesto I'll be explaining it in full and in detail, during the campaign in February, should I get on the ballot paper but it includes: - strengthening and extending the regional presence and remit of the union to challenge cuts to music funding- which is especially important to orchestras but also to instrumental music teachers ; - increasing the scope and strength of our collective bargaining agreements in a number of areas; - improving communication between the union and members and find better ways to engage them in activism and the democratic processes; - recruiting more members to the union to address the revenue funding shortfall (rather than cutting staff or regions, or raising subscriptions) and create strength in numbers; - initiating short, medium and longterm strategies for the union in all areas of its work in consultation with members and officials. 

1 comment :

carstairs said...

Decentralisation would get my vote. The heavy hand of control from officialdom has lost a lot of goodwill from formerly active members.

Blog Archive