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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old” - Jazz Journal, April 15, 2019,

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Postage

16034 (and counting) posts since we started blogging 15 years ago. 1041 of them this year alone and, so far, 73 this month (Nov. 27).

From This Moment On ...

November

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 7:30pm (7:00pm doors). Tickets: £25.00. inc. buffet. A Gatsby themed evening.
Thu 30: Jools Holland's R & B Orchestra @ Newcastle City Hall. 7:30pm.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A 'Jar on the Bar' gig.
Thu 30: Tees Hot Club @ Dorman's Club, Middlesbrough. Guest band night: Mark Toomey Quintet (Mark Toomey, sax; Paul Donnelly, guitar; Jeremy McMurray, keys; Peter Ayton, bass; Mark Robertson, drums). 9:00pm.

December
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Paul Skerritt @ All Saints’ Church, Eastgate, Co. Durham. 7:00pm. Xmas Tree Fest.
Fri 01: Alligator Gumbo @ Saltburn Community Hall. 7:30pm. SOLD OUT!
Fri 01: Nu Sound Brass @ Billy Bootlegger’s, Newcastle. 8:00pm. Free.
Fri 01: Struggle Buggy w. Jim Murray @ Prohibition Bar, Newcastle. 8:00pm. Blind Pig Blues Club. Free. A ‘Jar on the Bar’ gig.

Sat 02: Paula Jackman's Jazz Masters @ St Augustine's Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning. £25.00. Enrol at: www.jazz.coop.
Sat 02: Abbie Finn Trio @ Claypath Deli, Durham. 7:00pm.
Sat 02: Tenement Jazz Band @ John Marley Centre, Newcastle. Swing Tyne Winter Social. £8.00. + bf. Advance purchase only, no admission at the door. BYOB. Lindy hop workshop from 11:00am. £39.00.
Sat 02: Zoë Gilby Quartet @ The Masham, Hartburn Village, Stockton. 7:00pm. Feat. Noel Dennis.
Sat 02: Classic Swing @ The Nuthatch, 9 - 11 Bedford St, Middlesbrough TS1 2LL. 7:00-9:00pm. Classic Swing in trio format.
Sat 02: Paul Skerritt w. Danny Miller Big Band @ Westovian Theatre, South Shields. 7:30pm.
Sat 02: Vermont Big Band @ Whitley Bay FC. 7:30pm. £10.00. (inc. hot buffet). Tickets available from WBFC’s Seahorse pub club house.
Sat 02: Milne-Glendinning Band @ Ponteland Social Club, Northumberland. 7:30pm. £18.00 (inc. stotties & soup supper). A fundraiser for Hexham Constituency Labour Party.
Sat 02: Durham Dynamics & Basement Jazz @ Kingsgate Bar & Café, Durham Students’ Union. 7:30pm. £5.00. (£4.50. concs.). ‘Fab & Festive’. A cappella & jazz. Abba, Mariah Carey & more.
Sat 02: Tom Remon & Laurence Harrison @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sat 02: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party night inc. buffet & special raffle. £3.00.
Sat 02: Groovetrain @ The Unionist Club, Laygate, South Shields. 9:00pm.

Sun 03: The Central Bar Quartet @ Central Bar, Gateshead. 2:00pm. £10.00. The Central Bar Quartet plays Lou Donaldson’s Gravy Train. Featuring Jamie Toms.
Sun 03: Paul Skerritt @ Smith’s Arms, Carlton, Stockton-on-Tees. 7:00pm.
Sun 03: Johnny Hunter Quartet @ The Globe, Newcastle. 8:00pm.
Sun 03: Jam session @ The Schooner, Gateshead. 8:00pm. Free.

Mon 04: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 04: Northern Monkey Brass Band @ People’s Kitchen, Bath Lane, Newcastle. From 5:30pm. On-street gig supporting the work of the People’s Kitchen charity. Wrap up warm! Donate!
Mon 04: Michael Young Trio w Lindsay Hannon @ The Engine Room, Sunderland. 7:00pm. Free.
Mon 04: James Birkett Trio @ The Black Bull, Blaydon. 8:00pm. £8.00.
Mon 04: Durham University Jazz Orchestra + Durham University Big Band @ Durham Castle DH1 3RW. 8:30pm. £6.00.; £5.00. concs; £4.00. DSM. ‘Jazzy Christmas’.

Tue 05: Customs House Big Band @ All Saints Church, Cleadon. 7:00pm. Concert in the church hall. BYOB.
Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Sid White. The best free show in town!

Wednesday, February 08, 2017

Seamus Blake Trio @ Black Swan Arts Centre. February 7

Seamus Blake (tenor); Ross Stanley (Hammond); James Maddren  (drums).
(Review by Lance/Photo courtesy of Ken Drew).
You like modern jazz? You bemoan the passing of the days when the great American jazzers used to fill the Corner House? You thought those days had gone?
Tonight, happy days were here again in the form of Canadian-born New Yorker,  tenor saxist Seamus Blake and his British cohorts Stanley and Maddren.
I got there early, not wanting to be perched in a corner behind a pillar.
"Hello Lance [Launce]" said JNE supremo PB. "First one".
As it was only 15 mins to the advertised kick-off I began to wonder...
Kick-off turned out to be 8:30 by which time there were enough souls in the Black Swan to resemble an audience.
Numbers aside, this was one great gig. Steve T reviewed the band at Southport Jazz Festival last weekend - I think he liked it but to use the band's announcement that the next number was The Beach Boys' God Only Knows as an excuse to go to the bar seemed strange - to me it was one of the most lyrical examples of ballad playing on a pop song that I've heard in recent years. Even the middle where Seamus was blowing a whole gang of notes a minute he still sounded lyrical. Steve, you should have hung back for that extra pint - I did.
Hard bop, Blue Note style modern, classic Coltrane/Shorter, this was the kind of tenor playing that nails it for me. Sure, there were a few abstract moments but not enough to hurt. Willow Weep For Me and a semi-'60s rock rhythm may, on the surface, seem like strange bedfellows but it worked beautifully, Blake's gutsy tenor solo should have been acknowledged with hoots and hollers of approval rather than the polite applause it received.
Stanley, cooking on those good old favourite appliances - Hammond and Leslie -  served up the ingredients a frontman needs. And, unlike some of his recent gigs, he used the pedals to full advantage.
If Stanley lit the fire then Maddren stirred it, he shook it, he juiced it, he goosed it, he unlocked it, and, if he'd have been a vicar, he'd have defrocked it!  Well, he ain't a vicar but, now that Seaman and co have left us and Kinsey probably wouldn't fancy the train journey up to Newcastle, Maddren's the high priest!
I have to say that I'm amazed that those who dig this brand of jazz weren't there.
I've got you guys on the list - your names will be published unless you can provide a sick note or a letter from your parents/children that you were in bed listening to Sonny Rollins or maybe ...
Lance.

6 comments :

Sid White (on F/b) said...

James Maddren the best British jazz drummer on the scene today in my humble opinion.

Steve T said...

You know my views on sacred cows and, as Bill Bruford said when he thought he'd joined a Jazz group but found himself in a group of people who like the Beach Boys - the Beach Boys?

Lance said...

No cows are sacred otherwise we'd all be vegetarians. One of the beauties of jazz is the musician's ability to work on the most unlikely material. I like to see musicians working on pop songs as opposed to their 'originals' which rarely are. The greats played the pop music of their day so why shouldn't later generations delve into the pops of their time?

Steve T said...

Beach Boys need neither the money nor the publicity. There are thousands of better records by better artists that don't get a look in cos they don't have a gimmick or an image to get them noticed by the clowns who run the media. Not something artists needed to concern themselves with before the huge explosion of television ownership in America in the fifties and over here in the sixties.
I'm all for artists stealing songs and melodies - the classical people did it with folk all the time and pop music is just world folk - but I think they should be a tad more imaginative. Bad Plus pick some really unusual stuff and do wonders with some real turkeys.

Weiting Huang (on F/b) said...

What do you think of Pete Cater? I think he is also good too, he plays more in big bands probably, i mean compare to you, I'm just talking from my limited prospective.

Sid White (on F/b) said...

James Maddren plays many styles from big band to progressive odd time material . He nails the lot a complete drummer and still a young man brilliant.

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