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Bebop Spoken There

Dave Gelly: "I honestly think that Danish singer Sinne Eeg must be one of the best jazz vocalists alive today, although I confess I haven't heard them all." - (Observer, 28.11.21)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14757 (and counting) posts since we started blogging 13 years ago. 1376 of them this year alone and, so far, 92 this month (Nov. 29).

From This Moment On ...

November

Mon 29: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

December

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 1st night.
Wed 01: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Tom Ollendorff @ Café Cathedral, Owengate, Durham. 8:00pm. £5.00. A Durham Jazz Soc. event.

Thu 02: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 02: Jools Holland’s R & B Orchestra @ Newcastle City Hall. Doors: 6:30pm. 2nd night.
Thu 02: Jeremy McMurray & the Pocket Orchestra @ Billingham Catholic Club. 7:30pm. Fundraiser for SVP. Tickets: £5.00. from 07757 062798.
Thu 02: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 02: Tees Hot Club, Dorman’s Club, Middlesbrough. 9:00pm.

Fri 03: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 03: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 03: Classic Swing @ Saltburn Community Theatre. 7:30pm.

Sat 04: Play Jazz! Workshop @ The Globe, Newcastle. 1:30pm. Tutor: Clark Tracey. £25.00., book at: www.jazz.coop. .
Sat 04: Hot Club du Nord @ St Cuthbert’s, Hebron, nr. Morpeth. 7:30pm. Festive Special! SOLD OUT!.
Sat 04: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm. £5.00..
Sat 04: Clark Tracey Quartet @ The Globe, Newcastle. 8:00pm. £15.00. .
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon, North Tyneside. 8:00pm. £3.00. Xmas party.

Sun 05 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 05: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 05: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 05: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 05: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 05: Knats @ The Globe, Newcastle. 8:00pm.

Mon 06: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wednesday, February 08, 2017

Southport Jazz Festival - Derek Nash Quartet. February 4

Derek Nash (saxophones, percussion), David Newton (piano), Geoff Gascoyne (bass), Clark Tracey (drums).
(Review by Steve T/courtesy Neil Hughes© Robert Burns)
A slight change from the band in the programme with Clark Tracey at the drum stool. The introduction described them all as world famous and they were seriously swinging from the off, Nash himself, the hat-trick of superb reeds men, kicking off on alto. In shirts, three jackets and a tie this was old-school and impeccably executed.
Something he co-wrote with his dad but I regret I missed the title, found him on un-straightened soprano and I confess I prefer the look of the straight variety. He also played a couple of percussion items, on this occasion bringing a bit of a cocktail feel.
All the Things You Are, as interpreted by Mulligan/ Desmond inevitably put him on baritone. It featured a great solo piano interlude and a fine bass solo, one of perhaps too many for my own personal preference.

 Li’l Darlin’ by Basie and he claimed they were breaking all the rules starting with a drums solo. If I had a reservation about the gig it would be that it stuck a little too steadfastly to the rules, although they did it brilliantly. Thirty-odd years ago, when I first started going to straight ahead Jazz gigs (as opposed to Jazz Funk), this would have totally blown me away, but nowadays my preference is more for stuff a bit further 'out there'.
Love at First Sound opened set two, from his award winning album Joy Riding, which he admitted to being very proud of, and justifiably so from what we heard tonight. This beautiful ballad had him back on baritone with some lovely piano touches and the excellent Dave Newton prevalent throughout the gig.
You Gotta Dig it to Digit, you Dig, a reference to Monk, and title of his latest album brought the first set to an end.
Keep it to Yourself, I think he said by bass player Gascoyne, marked a barnstorming return. A Latin piece with a Latin title I couldn't understand, and the absence of a singer necessitated some audience participation and we were more than happy to help out, some seriously impressive hand work from Tracey and the leader back on alto.
He'd described the show as a journey through his saxophone collection and, while I've always championed soprano and especially baritone, I'm aware that this may be in part, because we generally hear less. Even though I haven't made a note of tenor yet, even though he'd certainly played it, by this time I'd more or less decided it's my favourite, but now I found myself reconsidering alto. Maybe it's like choosing a favourite child.
Homecoming was a gorgeous slice of something, dare I say, close to smooth Jazz, Voodoo Rex from the tradition of New Orleans and ending with Bad Diddley or Bo Didley Clap(along), definitely sounding like something I might know with a different hat on.
Four more great musicians, another super show, Nash like a Michael McIntyre on Jazz. A tad straighter than my preference stopped it being a highlight of the festival, already shaping up to be a classic, but well within my spectrum, and indicative of the significant range of styles over only two days I was there and eight bands I saw.  
Steve T. 

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