Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

March

Mon 30: Gerry Richardson Quartet @ Yamaha Music School, Blyth. 1:00pm.
Mon 30: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 31: Bede Trio @ The Black Swan, Newcastle. 7:30pm. Free. Albert Hills Wright (alto sax); Finn Carter (piano); Michael Dunlop (double bass).

April

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Musicians playing classical & orchestral music.
Thu 02: The Noel Dennis Band @ Prohibition Bar, Albert Road, Middlesbrough TS1 2RU. 7:00pm (doors). £10.84. Quartet plus special guest Zoë Gilby. Over 21s only.
Thu 02: Renegade Brass Band @ The Cluny, Newcastle. 7:30pm (doors).
Thu 02: Shalala @ The Globe, Newcastle. 8:00pm. £7.00. adv..
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Tuesday, February 21, 2017

CD Review: Jeff Richman - Sizzle.

(Review by Steve T).
Another fine, basic, fusion album by a guitarist and I've given up second-guessing which of them will sell, largely because I don't get how the whole download culture works.
This is his seventeenth solo album and the follow-up to the critically acclaimed Hotwire from 2015. He's also recorded for TV and film and is in demand as a session musician.
To say his CV is impressive is a bit like saying the Pacific Ocean is wet. He studied privately with Pat Metheny, he's a graduate of Berkley, of a similar vintage to Stern, Frisell and DeMiola, and has played with a veritable who's who, including Ray Barretto, Flora Purim, Airto Moreira, Chico Hamilton, Deodato, Blood Sweat and Tears, Gerry Mulligan, Ronnie Laws, Ernie Watts, Harvey Mason, John Klemmer, Meshell Ndegeocello, Billy Cobham and the Yellowjackets. 
It's funky, a bit rocky at times, the playing is remarkable, particularly from the leader, but also by the guests bringing variety just ahead of it becoming samey. So we get a fine piano solo on Samaya, great flugel on Oracle and excellent tenor on Sweet and Hit Parade, which I doubt it will get anywhere near.
Comparisons with seventies fusion are inevitable and he plays mostly  solid body guitars - a Strat and a Tele - and comparisons could include Steve Khan, Eric Gale, Bill Connors, who preceded Al DeMiola in the Jazz-rock version of Return to Forever, and Carlos Santana, whose influence by and on Jazz has yet to be fully recognised.
There are more fusion credentials in the shape of a bass guitar solo during Jimmy Palm.
Just for You features the leader on a more classic Jazz guitar sound (which the premier player of the era - George Benson - stuck with throughout the seventies), presumably either his Gibson 335 or his Jim Hall, both of which feature during the album.
The period is also evoked by the inclusion of a Fender Rhodes on this track which seems to be emerging as a classic instrument along the lines of the Hammond B3 organ.
The album's been out a while and is recommended to guitar enthusiasts and fusionistas.
Steve T.
Jeff Richman (guitars); George Whitty (keyboards); Jimmy Haslip (bass);Vinnie Colaiuta (drums) + Jeff Beal (trumpet, flugel); Bob Mintzer (tenor sax); Taylor Eigsti (keyboards); Mitchel Forman (Fender Rhodes); Will Lee (bass); Gergo Borlai (drums). 

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