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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Wednesday, February 08, 2017

Southport Jazz Festival - The Train & the River. February 4.

Jeremy Price (trombones), Andy Panayi (reeds), Jez Franks (guitars).
(Review by Steve T/Photos courtesy of Neil Hughes/copyright Robert Burns)
Iconic in its own way was how this was introduced. It's based on one of the highlights of the Jazz on a Summer’s Day film which gives the Southport Festival its name, Jazz on a Winter’s Weekend.
The Train & the River, by the Jimmy Giuffre Trio (Giuffre, tenor, Bob Brookmeyer, valve trombone, Jim Hall, guitar) one of the outstanding memories of that film and one to treasure.
Jeremy Price, on valve and slide trombones, did the introductions. As head of Jazz at the Birmingham Conservatoire, I'd met him before, I'd heard Jez Franks play with Ingrid Jenson at The Black Swan in Newcastle, but a third member of staff from the conservatoire, Andy Panayi was unknown to me and a revelation, bringing an ECM feel early on, and it's no exaggeration to put him with the likes of Andy Sheppard, Gary Burton and Jan Garbarek.
After their signature piece we got It Could Happen To You, Price told us,  from the category of 'let's see what happens' and unleashed the first Franks’ solo, switching between two Gibsons throughout the set, which the other two had allegedly scheduled to cause him maximum discomfort. The banter was relaxed and good-humoured throughout, with Jez at one changeover claiming he's like Pat Metheny, a cr^p Pat Metheny. He's certainly like Pat Metheny but definitely not cr^p.
Pony Express was followed by Mike Gibbs Tennis Anyone, originally for sextet and this was a huge part of the appeal of this band, recreating something with a seemingly unlikely trio of instruments.
We got Think of One from the Brummy Annual Monkathon, where the staff and students trawl through all seventyish Monk compositions, the junior students doing the simpler stuff, the staff taking the middling stuff and the advanced students doing the really tough stuff.
A few more empty seats after the break, which wasn't surprising given the nature of the music, but most stayed, which was brilliant. For a nation generally conservative in our choice of music, the rest of us do like something unusual and exotic.
The second set opened with Saturday Night Dance, as Jeremy said, to wake everyone up. Apparently , one punter described the first set as sophomoric, which he insisted was a compliment.
My One and Only Love, a beautiful ballad, Warm Rocky Place by Saltzman, a bit Spanish, a bit of a sketch, and Pannonica, the second middle name of one of the daughters of Price; should have got a cat. Some flute (yay) and a refreshing change as we're told he's actually a flute player who also plays sax, and it showed. It was just the reinvigoration of the second set needed at just the right moment. More Saltzman with You've Read the Book and more flute (yay).    
Appropriately they returned to the original source material for the final piece, The Big Pow Wow.
It was a brave and bold venture to put this on, the kind of thing you'd struggle to take on tour, but perfect for a slot at a festival, and all credit to the three musicians, all at the top of their game, and the festival organisers. A triumph. 
Steve T.

1 comment :

Steve T said...

If nobody clicks on the Jez Franks photo then they won't find out that particular guitar isn't a Gibson.
Must have looked at the same one twice.

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