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Bebop Spoken There

Charlie Musselwhite: "I used to see these posters in the windows of the [Chicago] blues clubs advertising Elmore James and Muddy Waters which knocked me out. I was making a note of the addresses and at night I'd go back and listen to the blues until 4-5 in the morning." - (Blues Matters! Aug/Sep 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,530 (and counting) posts since we started blogging 13 years ago. 948 of them this year alone and, so far, 112 this month (July 31).

Saturday, February 11, 2017

Alan Barnes & Paul Edis @ The Gala Theatre. Feb 10

Alan Barnes (alto sax & clarinet) & Paul Edis (piano)
(Review by Russell/photo courtesy of Doug Hollingsworth)
 Sleet, threatening snow, fell, making for a picture postcard backdrop through the windows of the Gala’s Studio Theatre. Tickets for this lunchtime concert sold out earlier in the week. The duo of Alan Barnes and Paul Edis playing a few tunes together guaranteed a full house with all seats in the one hundred capacity top floor Durham venue occupied in time for the one o’clock start.
On Green Dolphin Street for starters, a Jobim bossa, Alan Barnes (playing clarinet on this number only) suggesting to pianist Paul Edis that he could set up ‘a bit of a vamp’, with mid-winter swirling snowflakes licking the window panes, then a warming Blues in F, replete with not only Barnesian quotes but equally rapid-fire lines plucked from Edis’ memory bank.
Jimmy Van Heusen’s Here’s That Rainy Day an early highlight, the quality maintained with Monk’s Ask Me Now (Barnes enquiring of Edis: Are you going to be quirky?), a couple of the altoist’s own compositions, some Cole Porter, things were going well!
Barnes revealed that the only number they had played through prior to the doors opening was the mighty Charles Mingus’ Nostalgia in Times Square. This produced fine solos from the duo. What to play to close the set? Cherokee? ventured Edis. Oh, no! replied Barnes. They settled for every jam session favourite - Rhythm Changes. Barnes and Edis would later in the day meet up in Darlington.             
Russell.

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