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Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

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COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, October 31, 2016

CD Review: Ingrid and Christine Jensen – Infinitude

Ingrid Jensen (trumpet, effects & kalimba), Christine Jensen (alto & soprano saxophones), Ben Monder (electric guitar & hammertone guitar), Fraser Hollins (acoustic bass) & Jon Wikan (drums)
(Review by Russell)
The Jensen sisters have previously worked in small group settings and written for larger jazz ensembles. Infinitude – the concept of boundless possibility – is the Canadians’ CD recording debut for Whirlwind Recordings. Ten tracks, five written by Christine Jensen, three by her younger sibling Ingrid, one by guitarist Ben Monder, and the most welcome inclusion of Old Time composed by ex-pat Canadian, the late Kenny Wheeler, this is an album of fine writing and sublime musicianship.

The quintet – the Jensens, bassist Fraser Hollins, drummer Jon Wikan and guitarist Ben Monder – have close personal ties and working relationships: trumpeter Ingrid and Jon Wikan a married couple, the Jensens and Ben Monder a shared experience in the music making of Paul Motian and Maria Schneider. The playing on this new Whirlwind album is that of listening, schooled section players, their solo contributions subservient to their collective endeavour. Christine Jensen’s Blue Yonder and Swirlaround open the CD with the composer heard playing alto saxophone on the former and soprano on the latter. The muted trumpet of Ingrid sets the mood for Monder’s beautifully judged guitar playing on Swirlaround underpinned by Wikan’s deep groove.
Monder’s Echolalia hears Ingrid’s free-flowing trumpet, Christine Jensen’s Octofolk is a conversation piece between the composer (alto) and Monder (guitar) and Duo Space frees Ingrid Jensen to explore an echoing, distant dreamscape. Margareta engages a restrained swing time feel; Christine (alto) solos, then Ingrid, and late into the piece comes Monder with another outstanding contribution. Closing the recording is Ingrid Jensen’s Dots and Braids; Lyrical, languid, masterful playing by the quintet.                         
Russell.

Infinitude by Ingrid and Christine Jensen is available now on Whirlwind Recordings (WR4994).      

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