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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Sunday February 18

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 12 noon. Free.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Evening

Postmodern Jukebox - Sage Gateshead NE8 2JR. 7:30pm. From £27.30.

Bradley Johnston - The Fire Station, High Street West, Sunderland SR1 3DT. Tel: 0191 594 7241. 6:00pm. Free. New weekly residency.

Fred Craig, Bill Stewart - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 4SJ. 7:30pm. Free.

Jazz Cooperators - The Globe, 11 Railway Street, Newcastle NE4 7AD. 7:30pm. £5.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 05, 2016

CD Review: Andre Canniere – The Darkening Blue

Andre Canniere (trumpet), Brigitte Beraha (voice), Tori Freestone (tenor saxophone), Ivo Neame (piano, keyboards & accordion), Michael Janisch (electric & double bass) & Ted Poor (drums)
(Review by Russell)
Trumpeter Canniere writes: ‘…I’ve been crazy about the work of Rilke and Bukowski for some time.’ This is a third Whirlwind Recordings’ release by the London-based trumpeter featuring a total of ten compositions inspired by the above literary sources, of which, five incorporate the ‘voice’, as distinct from ‘vocals’, of Brigitte Beraha.

Stephen Mitchell’s translations of Rilke’s texts are interpreted by Beraha on tracks one to three, and again on tracks eight and nine. Andre Canniere states ‘So if I can turn listeners onto some great poetry [] then that’s great.’ Does the listener gain anything knowing The Darkening Blue was informed by literary texts? Does the music make a statement in, and of, itself? The musicianship is beyond reproach; Canniere is consistently impressive, Tori  Freestone’s tenor playing equally so, Ivo Neame switches from piano to keyboards (retro on occasion) to accordion, and label boss Michael Janisch works alongside drummer Ted Poor.

Stylistically, Canniere’s new CD embraces ‘art music’ texts, occasional swing time, and a Milesian fusion blow out vying with a drum ‘n’ bass section for up tempo honours. Andre Canniere’s The Darkening Blue is released on Whirlwind Recordings (WR4693) on 14 October. A British tour begins at the Pizza Express, London on 10 October, Birmingham 11, Wavendon 18, Dempseys, Cardiff 19, with other dates during November, concluding at JATP Jazz in Bradford on 16 December.

Russell.                     

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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