Bebop Spoken There

Warne Marsh: "At some point, you have to be prepared to create—to perform. It's vital, man, if we're talking about jazz, the original jazz, the performing art. It fulfils its meaning only when you play it live in front of an audience." DownBeat January 1983.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18191 (and counting) posts since we started blogging 17 years ago. 45 of them this year alone and, so far this month (Jan. 14), 45

From This Moment On ...

JANUARY 2026

Sat 17: Homer’s Lane + John Garner & John Pope @ St John’s Church, Riding Mill. 2:00-4:00pm. Free. Gabriele Heller’s audio play + Garner & Pope.
Sat 17: Martyn Roper @ Billy Bootleggers, Newcastle. 5:00pm. Free. Roper’s ‘One Man Blues Band’.
Sat 17: Ray Stubbs R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.
Sat 17: Alexia Gardner Trio @ FIKA Art Gallery, Morpeth. 7:00pm (6:30pm doors). Gardner, Alan Law & Jude Murphy.

Sun 18: Louis Louis Louis @ The Cluny, Newcastle. 2:00pm (doors). £15.00. Swing, jump jive, rhythm & blues. Fundraiser for St Oswald’s Hospice.
Sun 18: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Trio + Rod Sinclair.
Sun 18: Glenn Miller Orchestra UK @ The Glasshouse, Gateshead. 3:00pm.
Sun 18: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 18: Herdman-Strong Quartet @ The Globe, Newcastle. 8:00pm.

Mon 19: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 20: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Joe Deans.

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 22: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: 2025 obituaries.
Thu 22: Ronnie Scott’s Soho Songbook @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Thu 22: Castillo Nuevo Orquesta. @ Pilgrim, Newcastle. 8:00pm (doors). £6.50 (inc. bf).

Fri 23: Sue Ferris Quintet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, October 13, 2016

New book out soon - Forty-five years of jazz images come together – from Abercrombie to Zirilli

(Press Release).
A stunning new book – ‘Brian O’Connor’s Images of Jazz’ – of more than 400 photographs of jazz musicians taken over 45 years has been published by Riverside Publishing Solutions.
The book captures striking and atmospheric black and white and colour photos of musicians taken at more than 60 venues in London and across the UK between 1971 and 2016. It includes photos of UK and visiting American and European musicians both onstage and informally. Several musicians are featured at different stages of their careers, from exuberant youth to successful maturity.
Brian introduces the photos with affectionate notes about his regular visits to Ronnie Scott’s club and other venues, and shares insights into the life of the jazz photographer, capturing the moment. In addition, there are notes on photographic technique and equipment for the camera enthusiast, and a detailed index of musicians.

Bass player Peter Ind writes in the Foreword:
“The art of conveying life, dynamism and movement is hardly ever better expressed than it is in still photography of jazz musicians playing. This new book of jazz photography fully illustrates this and it is the work of an unassuming man who has a great eye – Brian O Connor.  We should all thank him for his dedicated work ensuring that there is a record forever of some fabulous jazz moments.”
Pianist and singer Liane Carroll writes in the book on behalf of the National Jazz Archive, which helped with its publication:
“The astounding photographs bring to life the musicians who contributed so much to the wonderful art form we know as jazz. The remarkable images that appear in Brian O’Connor’s new collection add to that rich heritage and tradition.”
Brian O’Connor’s Images of Jazz’ is due to be published in the middle of October, by Riverside Publishing Solutions, in association with the National Jazz Archive. The book is A4 hardback, 132 pages printed in colour throughout, ISBN 978-1-5272-0057-9. The book is priced at £25 plus £4.95 post and packing (UK), but the price for orders placed before 24th December 2016 is £20 plus p&p.
For more information and to order the book, contact Brian O’Connor, 48 Sarel Way, Horley, Surrey RH6 8EW. Tel: 01293 774171. Email: info@imagesofjazz.com. www.imagesofjazz.com

The author/photographer:
Brian O’Connor’s working life mainly consisted of working in and sometimes running a series of camera shops in and around London. His interest in photography began at an early age, and his first ‘upmarket’ camera was a used Ilford Sportsman costing £6.
His musical interests began with Frank Sinatra and ‘That Old Black Magic’ in the early fifties, and progressed with the rhythms and tunes of Latin American music, in particular Stan Getz and Charlie Byrd’s LP, Jazz Samba. He joined the Sinatra Music Society and met Stan Britt, a founder member of the Society. This led on to the Great American Songbook.
His two hobbies blended at the beginning of the seventies. Stan Britt had become a freelance journalist and began interviewing many of the jazz greats, and Brian joined him with his camera. Through Stan he also became a regular at Ronnie Scott’s. For about 30 years he was there nearly every week, listening and photographing.

The first gig he photographed was Blood, Sweat and Tears at the Hammersmith Odeon in 1971, and he continues to visit pubs, clubs and festivals, adding to his collection of photos of more than 2000 musicians.

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