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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.

Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).RESCHEDULED FOR JUNE 13

Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. 7:30pm (doors). £25.00.

Sat 19: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-3:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 19: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 20: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 20: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 20: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 20: Tweed River Jazz Band @ The Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: C.A.L.I.E @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, October 13, 2016

New book out soon - Forty-five years of jazz images come together – from Abercrombie to Zirilli

(Press Release).
A stunning new book – ‘Brian O’Connor’s Images of Jazz’ – of more than 400 photographs of jazz musicians taken over 45 years has been published by Riverside Publishing Solutions.
The book captures striking and atmospheric black and white and colour photos of musicians taken at more than 60 venues in London and across the UK between 1971 and 2016. It includes photos of UK and visiting American and European musicians both onstage and informally. Several musicians are featured at different stages of their careers, from exuberant youth to successful maturity.
Brian introduces the photos with affectionate notes about his regular visits to Ronnie Scott’s club and other venues, and shares insights into the life of the jazz photographer, capturing the moment. In addition, there are notes on photographic technique and equipment for the camera enthusiast, and a detailed index of musicians.

Bass player Peter Ind writes in the Foreword:
“The art of conveying life, dynamism and movement is hardly ever better expressed than it is in still photography of jazz musicians playing. This new book of jazz photography fully illustrates this and it is the work of an unassuming man who has a great eye – Brian O Connor.  We should all thank him for his dedicated work ensuring that there is a record forever of some fabulous jazz moments.”
Pianist and singer Liane Carroll writes in the book on behalf of the National Jazz Archive, which helped with its publication:
“The astounding photographs bring to life the musicians who contributed so much to the wonderful art form we know as jazz. The remarkable images that appear in Brian O’Connor’s new collection add to that rich heritage and tradition.”
Brian O’Connor’s Images of Jazz’ is due to be published in the middle of October, by Riverside Publishing Solutions, in association with the National Jazz Archive. The book is A4 hardback, 132 pages printed in colour throughout, ISBN 978-1-5272-0057-9. The book is priced at £25 plus £4.95 post and packing (UK), but the price for orders placed before 24th December 2016 is £20 plus p&p.
For more information and to order the book, contact Brian O’Connor, 48 Sarel Way, Horley, Surrey RH6 8EW. Tel: 01293 774171. Email: info@imagesofjazz.com. www.imagesofjazz.com

The author/photographer:
Brian O’Connor’s working life mainly consisted of working in and sometimes running a series of camera shops in and around London. His interest in photography began at an early age, and his first ‘upmarket’ camera was a used Ilford Sportsman costing £6.
His musical interests began with Frank Sinatra and ‘That Old Black Magic’ in the early fifties, and progressed with the rhythms and tunes of Latin American music, in particular Stan Getz and Charlie Byrd’s LP, Jazz Samba. He joined the Sinatra Music Society and met Stan Britt, a founder member of the Society. This led on to the Great American Songbook.
His two hobbies blended at the beginning of the seventies. Stan Britt had become a freelance journalist and began interviewing many of the jazz greats, and Brian joined him with his camera. Through Stan he also became a regular at Ronnie Scott’s. For about 30 years he was there nearly every week, listening and photographing.

The first gig he photographed was Blood, Sweat and Tears at the Hammersmith Odeon in 1971, and he continues to visit pubs, clubs and festivals, adding to his collection of photos of more than 2000 musicians.

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