Total Pageviews

Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 03, 2016

Tcha Limberger & His Budapest Gypsy Orchestra @ Sage Gateshead. October 2

Tcha Limberger (violin & vocals), Feher Istvan (cimbalom), Lukás Csaba (clarinet), Olah Norbert (brac), Ruszo Istvan (violin) & Vilmos Csikos (double bass)
(Review by Russell/Photo courtesy of Peter Ninnim).
Manouche multi-instrumentalist Tcha Limberger grew up on Django. At six he began to play guitar, he has long since attained virtuoso status. At a comparatively late age (all of seventeen) he decided to learn to play the violin. In next to no time Limberger was more than proficient, in fact, a virtuoso.
Tcha Limberger arrived at Sage Gateshead to fulfill the final date on a nationwide tour. A receptive Sage Two audience greeted the Belgian and his Budapest Gypsy Orchestra with enthusiasm. Some had heard Limberger on a previous visit, others were new to his music. The evening began with one noticeable absentee – the indisposed cellist Szegfu Károly – as the band elected to perform as a sextet.
Sage Two’s exceptional acoustics didn’t escape the ear of Limberger and the band played entirely without amplification (Vilmos Csikos’ double bass included) and no requirement for a PA system. The engaging Limberger spoke in impeccable English, his voice clearly heard throughout the hall, and sang in, no doubt, perfect Hungarian. A clever man is Tcha Limberger!             

Hungarian musicians advised Limberger that he would never be able to fully appreciate a music alien to him, a language he didn’t speak. Undeterred, our violin virtuoso decided to learn the language! On stage at Sage Gateshead, the Belgian-born musician led his Gypsy Orchestra as a fully paid up member of Budapest’s music fraternity. A master violinist, a tenor voice of unbridled passion, Limberger’s assimilation of the nuances of a nineteenth-century musical form, hitherto a foreign culture to him, impressed not only the Gateshead audience, but also his Hungarian comrades. Song titles weren’t announced; Limberger’s assertion that all of them were about universal themes – love, heartbreak etc – met with a collective nod of approval. Spectacular cadenzas, effortless, swashbuckling solos, Tcha Limberger had it all.

Standing in front of Feher Istvan’s cimbalom, our Manouche bandleader turned variously left to invite the seated clarinet master Lukás Csaba to rise and unleash unbelievable solo contributions, the speed of which defied eyes and ears; then to Feher to breeze across the many hundreds of strings of the cimbalom. Csaba elicited the cry: Bravo! Feher received thunderous applause. Dazzling and dizzying, each and every number captivated those in attendance. Limberger drew our attention to the work of Olah Norbert. Sitting to Tcha’s right, the role of the brac instrument, we learned, is central to the music. Continuously in action, the viola, as known to Western audiences, took on a new dimension! Double bass player Vilmos Csikos deployed unamplified, lower register bowing throughout. This was a Sage Gateshead master class from all concerned. The virtuoso sextet deservedly won an encore. Until next time…                                 
Russell.

2 comments :

Patti D. said...

It was a wonderful concert - full of passion and musical dexterity - it didn't matter that we couldn't speak Hungarian ..... the emotions overflowed from the stage!

stewie white said...

Hello Patti would to ask about the concert if you have any vidoe you want to send thanks

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!