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Bebop Spoken There

Faye McCalman: "For a while I would hear other artists and feel that I need to be like that person, have what they have; but then I realised that everyone has their own thing and what I connect with most is when I can tell an artist is just being themselves." - (Jazzwise July 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,367 (and counting) posts since we started blogging 13 years ago. 785 of them this year alone and, so far, 59 this month (June 16).

From This Moment On

JUNE

Thu 17: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Fri 18: Jazz Jamaica @ Sage Gateshead (8:00pm).

Sat 19: Jude Murphy @ Prohibition Bar, Newcastle (8:00pm).

Sun 20 Knats @ The Globe, Newcastle (8:00pm). Advance booking essential: www.jazz.coop. SOLD OUT. Livestream available from £7.50.

Mon 21: Jazz in the Afternoon @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club (1:00pm). POSTPONED!

Thu 24: Vieux Carré Jazzmen @ The Holystone, North Tyneside 1:00pm).

Thu 24: Maine Street Jazzmen @ Sunniside Social Club, Gateshead (8:30pm).

Wednesday, October 19, 2016

CD Review: Cameron Mizell - Negative Spaces.

Cameron Mizell (Guitar), Brad Whitely (Keyboards), Kenneth Salters (Drums).
(Review by Steve T).
For anyone who's wondering, I can't find anything to relate Cameron to the Mizell Brothers whose production transformed Donald Byrd from one of the great hard bop trumpeters to one of the great Jazz-funk artists.
The Hammond/guitar trio is one of my favoured line-ups in Jazz. Between the white European guitarists who book-end the golden years of Jazz the guitar initially struggled to get heard between saxophones and trumpets (or even piano) but, once satisfactorily amplified, became prone to lapses into easy-listening, often rescued by the famous Hammond organ. Almost every significant Jazz guitarist has put it to use and this is no exception, although Whitely uses a variety of keyboards.

Influences include ambient music and the Jazz end of progressive rock; you'll also hear shades of Bill Frisell and John Schofield as well as seventies fusion guitarists like Eric Gale and Steve Khan who didn't come with a traditional Jazz heritage.
There's also some grungy guitar chords, but thankfully more the Soundgarden/Pearl Jam end of Seattle rock rather than the overly punk-rock influenced Nirvana. 
The title of the album refers to the use of space, though, apart from the absence of fingers flying around the fretboard at the speed of sound, it's not especially different from other guitarist albums.
Some ambiance to start the album which really kicks in with track three but it's at its best when Whitely switches to Hammond on Take the Humble and Get it While You Canthe best track alongside Unfolding with a compelling contrast between syncopated drumming and the beautiful melodious guitar.
It came out on Destiny Records this Tuesday (October 18) and  on CD too which is great for us dinosaurs. 
Steve T.

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