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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.

Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).RESCHEDULED FOR JUNE 13

Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. 7:30pm (doors). £25.00.

Sat 19: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-3:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 19: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 20: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 20: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 20: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 20: Tweed River Jazz Band @ The Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: C.A.L.I.E @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, October 10, 2016

CD Review: Quinsin Nachoff - Flux.

Quinsin Nachoff (tenor sax); David Binney (alto sax); Matt Mitchell (keyboards); Kenny Wollesen  (drums).
(Review by Steve H).
Flux refers, not only to the transition between modern jazz and contemporary classical music, but also to the time when composer Nachoff was moving from Toronto to New York City.
The quartet’s structure is odd, two saxophones juxtaposed against keyboards and drums and no bass. 
Band leaders in their own right, the quality of their playing resonates throughout an interesting, bold and complex piece of work.
Tightrope opens with a fairly gentle introduction before the saxes square up to drums and keyboards. The mood moving from ‘gentle and relaxing’, to skronking, cacophonous rock.
Complimentary Offerings has a classical piano solo embedded which leads into a klezmer like sax interlude. 
There’s a pleasant melodic opening to Mind’s Ear 1 that segues into a quiet piano section before reprising the beginning.
A buzzy electronic rat-ta-ta-tat intro to the second lobe, Mind’s Ear 2, leads to wild, uplifting, saxophone domination. The whole quartet contributes to the mayhem with drums and piano thrashing it out to the very end. 
Astral Echo Poem, an anagram of its primary influence Brazilian composer Hermeto Pascoal, is perhaps the most mellow and melodious piece on the album.
Finally Tilted, a harder, rockier, piece reminds us of where we began this listening journey.
Steve H
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