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Bebop Spoken There

Victor Wooten: "People don't expect to have bass players get together and sound like music and not just like a bunch of elephants" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14226 (and counting) posts since we started blogging 14 years ago. 445 of them this year alone and, so far, 45 this month (May 13).

From This Moment On ...

May.

Mon 16: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 16: Swing Manouche @ Black Bull, Blaydon. 8:00pm. Blaydon Jazz Club.

Tue 17: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 18: Four @ The Exchange, North Shields. 7:00pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 19: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 19: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 19: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 19: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 19: 58 Jazz Collective @ Dorman’s Club, Middlesbrough. 9:00pm. TBC.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Sunday, October 02, 2016

CD Review: Verde - The Francisco Pais Lotus Project.

Francisco Pais (guitar, voice), Myron Walden (tenor), Godwin Louis (alto), Julian Shore (piano), Connor Schultze (bass), Ferenc Nemeth (drums). Additional vocals - Genetta Kha, Jacklyn Chan.
(Review by Steve T)
Jazz, rock, prog, country, blues, West Coast psychedelia, acid folk, indie, funk; it may be easier to define what this album isn't.
Unashamed synthesizer lines, that most scorned symbol of classic rock excess, though very little by way of needless flash in the guitar pyrotechnics stakes, which is a breath of fresh air.
The prog thing seems to me to come from fellow Europeans Focus from the Hammond of Thais Van Leer and guitar of Jan Akkerman, which I often hear in backward-looking forward thinking Jazzers, though I'm not sure it's always on a conscious level.

Pais’ Portuguese, another Berklee scholarship, now resides in New York City which must be bursting with guitarists.
On this, his fourth album, he pays tribute to his earliest guitar influences: Robert Johnson, Muddy Waters, Howlin Wolf, Chuck Berry, Clapton and Hendrix.
The two names which sprung to mind on first play were Zappa and Beefheart. I certainly hear the blues strain of the Captain though he's gone back to Beefheart’s main influences, and particularly the Wolf. There's also loads of early Mothers in there but again, it may not be on a conscious level or maybe they've arrived at similar conclusions from comparable influences.
The song suite format 'without edits or isolation' was also prevalent in Frank’s music of that period resulting in a post-modern melting pot, though many have incorporated it since.
Certainly the short dance infused interludes are an addition to the format as I'm familiar with it, and these appear late in the album, interspersed with three songs with a West Coast feel in the vein of Crosby, Stills, Nash, Young or the band America, or perhaps a more British psychedelic folk thing not unlike the Incredible String Band or even pre T Rex Tyrannosaurus Rex, delivered in a frail voice reminiscent of Gerry Garcia or George Harrison but with more vulnerability than any Summer of Love fake hippy.
The sort of thing the post punk rock media in this country might call hippy nonsense.
I tried to find a good example of the lyrics but found that each verse would serve to illustrate the point, so I picked the final verse which is also amongst the shortest:

We lay by our dreams
We exhale a cloud
Find a sunset full of moons
Until the sun shines in our palm.

It's an awful long time since I've heard lyrics in that style though I've no doubt they've never entirely gone away
However, I hope not everyone is put off and some will buy it or download it or whatever; it's a bold and fascinating musical journey. 

Steve T.

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