Total Pageviews

Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16382 (and counting) posts since we started blogging 16 years ago. 262 of them this year alone and, so far, 59 this month (April 20).

From This Moment On ...

April

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 27: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 27: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Saturday, October 15, 2016

Sue Ferris Quintet @ Gala theatre Durham - October 14

Sue Ferris (saxophones & flute); Graham Hardy (trumpet); Paul Edis (piano); Neil Harland (bass); Dave McKeague (drums)
(Review by Brian Ebbatson/photo courtesy of Jerry Edis)
It was good to welcome Sue Ferris back to the Gala Lunchtime Concert series. She featured in one of our first concerts – three years ago - in a trio she co-led with Roly Veitch on guitar, and then with her quartet in 2014. She is on her home turf here, and harked back to her days playing with Will Todd, almost twenty years ago, by featuring a piece Will had ‘gifted’ her then, and she has kept in her repertoire since.

The first two numbers set the mood for the concert – the swing of Ellington and (more emphatically) the hard bop of Horace Silver. The Quintet warmed up the audience with a lively version of Ellington’s Just Squeeze Me. Graham and Sue played in the theme on horns, exchanged choruses, and then set off to solo. Sue solo gave us the first taste of her mellow flowing tenor – more Hawk than Lester –, Graham followed, brought in Paul’s piano, and the ensemble bowed out with the Ellington theme.
The band followed with Silver’s Song For My Father. Neil’s bass set the rhythm, tone and hard bop feel of the piece, tenor and trumpet played through the theme, Sue soloed first, Graham cautiously explored the theme, before switching to classic hard-bop phrasing. Paul slowly explored the possibilities of the tune accompanied by Neil’s arco bass and sensitive percussion from Dave, then upped the tempo bringing the ensemble back to a funk groove to restate the theme before a slow fading end.
For Bill Evans’ Peri’s Scope Sue switched to baritone sax, where her sound is full, round and resonant and her story lines always fluent and inventive. After theme and horn solos, Paul – appropriately for a piece written for piano – set off on an upbeat solo of what must be a favourite tune. But the feel remained hard bop. Sue, Graham and Neil each took solos before returning to the gentle rhythm of the tune.
The next tune took us further back to the roots of bop, with Clifford Brown’s Sandu, a regular in Sue’s repertoire. All band members featured on solos, Sue remaining on baritone.
The mood changed with Will Todd’s ballad I Thought About Who? Sue now switched to flute and Graham to flugel. Both found new heights in their solos, Sue in particular soaring away on the flute. For me one of the highlights of the concert.
After the slow ballad the tempo was restored with Cy Coleman’s Witchcraft. Sue started quietly enough on the lowest register of the flute, then climbed through the octaves to develop the theme, before handing over to Graham, the band now swinging energetically behind his Clifford Brownish phrasing. Paul produced a(nother) carefully constructed solo, bass and drums adding emphasis at the right moments. Sue’s flute took flight again before bringing the band back to low slow ensemble finish.
Secret Love was delivered at a similar pace and hard bop mood. Bass and drums opened, piano joined in the groove, then the deep tone of the tenor and the high register of the flugelhorn. More excellent solos from Sue, Graham and Paul, with able support from Neil and Dave.
The time was now up, but there was no stopping the band who played two more numbers to make sure the audience got more than their money’s worth. The first, One Hand One Heart from Bernstein’s West Side Story, gave the musicians the opportunity to re-establish their gentler side, while with the finale, a (new?) composition from Paul, McCoin a Phrase, they got back into their swinging hard bop groove. After a 70 minute set the sell-out audience went home very satisfied.

Brian Ebbatson

1 comment :

JERRY said...

Agree with all that - an excellent gig. Special mention for the drummer - a last-minute dep. who settled in with a solo and some fours and was excellent on the samba-style Secret Love.

Blog Archive