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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

Monday, October 10, 2016

CD Review: Rik Wright's Fundamental Forces - Subtle Energy

Rik Wright (guitar); Jim DeJoie (clarinet); Geoff Harper (bass); Greg Campbell (drums/perc). 
(Review by Steve T) 
Another good album, another piano-less quartet, another guitar/ woodwind frontline, clarinet standing in for the various saxophones featured on the original versions of these five tracks taken from his previous albums, though the player remains the same.
At a little over forty minutes, it's also another short album, which plays well to us oldies, groomed on twelve inches of plastic or (what seemed like) twelve miles of tape. Restrictions imposed by the limitations of the format but, with so many CDs (not to mention double albums) seeming too long, maybe fortyish minutes is a reasonable length of time before putting on something else.

Clarinet is not normally an instrument I'm taken by but, with a little help from Lord Edis, Arun Ghosh and this, maybe it was always the context that was wrong for me. Wright 'has always had an affinity for the sound of clarinet and guitar together...predicts the relationship...is a lovely one', and it is.
The notes inform us the album is 'more laid back than its predecessors', but also that Yearning and Nonchalant (tracks 3 and 4) are its 'softer centre'. The remaining three tracks all build during their respective lengths, in the rhythm section, through increasingly propulsive drumming and 'a straightforward bass line which...ripples outward into universal resonances'. On top you get the guitar sneaking around under the clarinet before taking over and the clarinet then coming back in behind the guitar lead, using different sounds and textures to build to a rockier climax.
However, the difference between these and the 'softer' tracks is one of degree and, despite his influences being routed in rock as well as Jazz, it never quite explodes, a common quibble I have with guitarists.
The Jazz establishment still hasn't quite accepted Jazz-rock, and particularly John McLaughlin into the mainstream, as evidenced by Downbeat readers recently voting Pat Metheny and not McLaughlin (or for that matter Benson) as its fourth guitarist in their Hall of Fame, which must have confounded and embarrassed them both.  
Having said all that, you really can't win. If an artist records an album with great variety, it's a mess lacking any direction or flow, and if you put out an album with the same flavour throughout, it's accused of being samey.
This album fits the latter, which is actually where most of the truly great albums are, and while it isn't that, it's a fine listen anyway.
Out now on HipSync Records.
Steve T.

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