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Bebop Spoken There

Trevor Mires: ''My mum is a Dean Martin fan: I'm not, so I would grab my skateboard and get out of the house whenever I heard "Everybody Loves Somebody, Sometime." ". (Jazzwise, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17972 (and counting) posts since we started blogging 17 years ago. 293 of them this year alone and, so far, 49 this month (April 22).

From This Moment On ...

April 2025.

Fri 25: Vasilis Xenopoulos & Paul Edis @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Duo performance.
Fri 25: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 25: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 25: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 25: Andrea Vicari Trio @ The Gala, Durham. 1:00pm. £8.00. Vicari (piano); Andy Champion (double bass); Russ Morgan (drums).
Fri 25: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 25: Red Kites Jazz @ Land of Oak & Iron, Winlaton Mill. 6:00-9:00pm. Free.
Fri 25: Vasilis Xenopoulos & Paul Edis @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Fri 25: Struggle Buggy @ The White Room, Stanley. 7:45pm. Rhythm & blues.
Fri 25: Paul Skerritt Big Band @ The Glasshouse, Gateshead. 8:00pm. £20.30., £18.00. All-star big band.
Fri 25: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. Vicari (piano); Andy Champion (double bass); Russ Morgan (drums). An Opus 4 Jazz Club event.

Sat 26: Durham Alumni Big Band @ Number One Bar, Darlington. 12 noon. Free (donations).
Sat 26: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 26: Vasilis Xenopoulos & Paul Edis @ Elvet Methodist Church, Durham. 7:30pm. Tickets: £12.00. + bf. Duo performance.
Sat 26: Neil Cowley Trio @ The Glasshouse, Gateshead. 8:00pm. £22.50.
Sat 26: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 27: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 27: Andrea Vicari Trio @ Central Bar, Gateshead. 2:00pm. Vicari (piano); Andy Champion (double bass); John Bradford (drums).
Sun 27: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 27: Vasilis Xenopoulos-Paul Edis Quartet @ Queen’s Hall, Hexham. 3:00pm. Xenopoulos, Edis, Paul Susans, Russ Morgan.
Sun 27: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 27: JustKing Jones @ Cluny 2, Newcastle. 7:00pm (doors). £17.50. JustKing Jones (alto sax, soprano sax); Jordan Williams (piano); Jason Clotter (bass); Malcolm Charles (drums). Ace NYC outfit!
Sun 27: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 27: Swing Manouche @ Warkworth Memorial Hall. 7:30pm. £15.00. Tickets from 01665 711388.
Sun 27: Vasilis Xenopoulos-Paul Edis Quartet @ The Globe, Newcastle. 8:00pm. Xenopoulos, Edis, Ken Marley, Russ Morgan.

Mon 28: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 29: ???

Wed 30: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 30: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 30: International Jazz Day @ The Globe, Newcastle. 7:30pm. £16.00.; £14.00. adv.. Feat. Guido Spannocchi, John Pope & Steve Hanley + Take it to the Bridge participants + Open Mic Night participants.

MAY 2025

Thu 01: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Member’s Contribution.
Thu 01: Alabaster de Plume @ Gosforth Civic Theatre, Newcastle. 7:30pm.
Thu 01: Living in Shadows + OUTRI @ The Globe, Newcastle. 8:00pm.
Thu 01: The Shayo Experiment @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Shayo Oshodi & Liam Oliver.
Thu 01: Tees Hot Club @ Dorman’s, Middlesbrough. 8:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, October 10, 2016

CD Review: Rik Wright's Fundamental Forces - Subtle Energy

Rik Wright (guitar); Jim DeJoie (clarinet); Geoff Harper (bass); Greg Campbell (drums/perc). 
(Review by Steve T) 
Another good album, another piano-less quartet, another guitar/ woodwind frontline, clarinet standing in for the various saxophones featured on the original versions of these five tracks taken from his previous albums, though the player remains the same.
At a little over forty minutes, it's also another short album, which plays well to us oldies, groomed on twelve inches of plastic or (what seemed like) twelve miles of tape. Restrictions imposed by the limitations of the format but, with so many CDs (not to mention double albums) seeming too long, maybe fortyish minutes is a reasonable length of time before putting on something else.

Clarinet is not normally an instrument I'm taken by but, with a little help from Lord Edis, Arun Ghosh and this, maybe it was always the context that was wrong for me. Wright 'has always had an affinity for the sound of clarinet and guitar together...predicts the relationship...is a lovely one', and it is.
The notes inform us the album is 'more laid back than its predecessors', but also that Yearning and Nonchalant (tracks 3 and 4) are its 'softer centre'. The remaining three tracks all build during their respective lengths, in the rhythm section, through increasingly propulsive drumming and 'a straightforward bass line which...ripples outward into universal resonances'. On top you get the guitar sneaking around under the clarinet before taking over and the clarinet then coming back in behind the guitar lead, using different sounds and textures to build to a rockier climax.
However, the difference between these and the 'softer' tracks is one of degree and, despite his influences being routed in rock as well as Jazz, it never quite explodes, a common quibble I have with guitarists.
The Jazz establishment still hasn't quite accepted Jazz-rock, and particularly John McLaughlin into the mainstream, as evidenced by Downbeat readers recently voting Pat Metheny and not McLaughlin (or for that matter Benson) as its fourth guitarist in their Hall of Fame, which must have confounded and embarrassed them both.  
Having said all that, you really can't win. If an artist records an album with great variety, it's a mess lacking any direction or flow, and if you put out an album with the same flavour throughout, it's accused of being samey.
This album fits the latter, which is actually where most of the truly great albums are, and while it isn't that, it's a fine listen anyway.
Out now on HipSync Records.
Steve T.

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