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Bebop Spoken There

Anat Cohen: "With the tenor, it's so iconic with jazz. With the clarinet, I can improvise, but it doesn't have to be called jazz." - (DownBeat July 2019)

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Today Monday June 17

Afternoon

Jazz

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

Tenement Jazz Band - Prohibition Bar, Pink Lane, Newcastle NE1 5DW. 8:30pm (doors). Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, June 16, 2016

CD Review: Pete Hurt Jazz Orchestra - A New Start

Amazingly, this is the first time Pete Hurt has appeared in these pages. Presumably, his UK parameters have been confined to the 'home counties' rather than the frozen north! Still, better late than never if this album is anything to go by!
A contemporary jazz orchestra rather than a big band. An orchestra that has absorbed the complete gamut of modern jazz from, say, Boyd Raeburn, Gil Evans, George Russell, John Dankworth, Kenny Wheeler to Mike Gibbs and beyond. Superb contemporary arrangements cushioning the soloists in the manner of the aforementioned grandmasters.
Talking soloists, the band, sorry orchestra! is full of them Josephine Davies on tenor, Tori Freestone's soprano solo on Forbidden Fruit, Kate Williams' piano on Sabotage, Owen Dawson, on trombone, Nick Costley-White on guitar.... so much more...  like founder members Henry Lowther on trumpet and Dave Powell anchoring on tuba. A dream album but, why did Pete Hurt wait until the final track before unleashing a solo of his own? I want to hear more of him!
More info/personnel/samples.
Lance.

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