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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Mark Williams Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 23: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Mu Quintet @ The Globe, Newcastle. 8:00pm. CANCELLED!
Sun 23: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free. THIS WEEK ONLY JAMES BIRKETT (guitar)!
Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

MARCH 2025

Sat 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £15.00. Day 2/3.
Sat 01: TJ Johnson Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Get your funk on! Enrol at: learning@jazz.coop.
Sat 01: Shunyata Improvisation Group @ The Watch House, Cullercoats. 2:00-3:30pm. Free.
Sat 01: Ray Stubbs R&B All Stars @ Billy Bootleggers. Ouseburn, Newcastle. 4:00pm. Free.
Sat 01: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Blues band.
Sat 01: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: Jack & Jay’s Vintage Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, June 08, 2016

CD Review: Jason 'El Rubio' McGuire - Terceto Kali

Jason McGuire (Guitar); Paul Martin Sounder (Bass); Marlon Aldana (Drums).
(Review by Steve T)
It's probably a man-thing but we've been seeding guitarists like tennis players since Eric Clapton left the Yardbirds fearing they were starting to sound like the Beatles. Known at the time as God, everything was about to change with the arrival on the scene of a certain Jimi. In truth, we had very little to go on, but I wonder what we would have made of Jason McGuire aka El Rubio?
Whenever anyone asks me who is the world’s greatest guitarist, which happens more often than you would think, I always propose it's likely some unknown Spaniard in his thirties. El Rubio is, in fact, a Texan with Irish roots (the band hail from the Bay Area) who cut his chops listening to Hendrix and the British 'blues' guitarists; presumably Eric and other Yardbirds’ and Bluesbreakers’ alumni: Peter Green, Jeff Beck, and Jimmy Page.
However, it was on hearing Paco DeLucia that everything changed for him. Paco is largely responsible for spreading flamenco music worldwide and is equally revered in Jazz, Jazz-rock and Gypsy Jazz circles and I must concur, he's the most mind-bogglingly magnificent guitarist I've ever heard.
Virtuoso guitarists of the calibre of Paco and El Rubio often struggle to remain on the side of good taste, straying into performing circus tricks; impressive but meaningless in a musical context. Paco’s musicality is perennially intact and El Rubio more or less pulls it off too. 
While there are distinct features of each, the album serves up a superb fusion of flamenco and the Jazz guitar trio format. Although I have very little knowledge of flamenco, with over fifty distinct styles, it seems to me that it isn't just one with elements, textures and characteristics of the other, but a seamless conflation of the two.
This is evident on the album opener Zardoz, featuring flamenco guitar stylings assimilated into a basic Jazz guitar trio, which is disrupted after the four-minute mark by a short cante from guest vocalist Jose Cortes, further reminding the listener that it's also flamenco. 
Kali also has a flamenco style song-form featuring Jose Cortes, and A Liberty and Contratempio sound, to these untrained ears, like fairly straightforward flamenco.  
In contrast, Zap is reminiscent of Birds of Fire by the Mahavishnu Orchestra but on acoustic guitar and, while Rick Laird never used a bowed double bass, it was a prominent feature of both Miroslav Vitous and Stanley Clarke, enhancing the evocation of Jazz-rock, but retaining a flamenco sensibility.
The final track, Motivation is perhaps the most interesting from a Jazz perspective; at almost ten minutes it's free throughout with no repetitive rhythm and each musician taking the lead in turn. 
Romance is one of two songs on the album written for his wife, flamenco dancer Yaelisa, and he demonstrates a tenderness often lacking in guitarists who specialise in godzillions of notes per nanosecond.
For once, I'm encouraged there could be a market for a CD. Flamenco has a broad cross-cultural appeal and enjoys popularity around the world' and I hear no reason why the Jazz content would detract from this. Furthermore, there is much here to appeal to anybody who appreciates Jazz guitar, particularly anyone bored by the constant recycling of formulaic clichés, or Jazz more broadly.
Out now and recommended.
Steve T.

1 comment :

Steven T said...

For anybody interested in flamenco, or guitar geniuses more generally, Paco Pena, arguably the finest exponent of the style since the death of Paco De Lucia, returns to the Sage on July 18th.

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