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Bebop Spoken There

Greg Abate: "So many sounds are ugly now. There are no harmonics, no chords. What do people hear these days? Why do things have to change from that good music?" (JazzTimes June/July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14378 (and counting) posts since we started blogging 14 years ago. 597 of them this year alone and, so far, 2 this month (July 2).

From This Moment On ...

July

Sat 02: Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor Steve Glendinning: Latin jazz. £25.00. Enrol at: www.jazz.coop.
Sat 02: Talk: Storytelling & jazz as an expression of urban life @ The Exchange, North Shields. 1:45pm. A Blues, Jazz & Swing Festival event.
Sat 02: The Commandments + On Parole @ The Exchange, North Shields. 2:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Geordie Jazz Man @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event. Screening of Abi Lewis’ documentary film about Keith Crombie & the Jazz Café.
Sat 02: The Delta Prophets Trio @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event. Rhythm & blues.
Sat 02: Swing Manouche @ Claypath Deli, Durham. 7:00pm.
Sat 02: Swung Eight & King Bees @ The Exchange, North Shields. 7:30pm. A Blues, Jazz & Swing Festival event. Swing dance + ace Chicago blues band.
Sat 02: Tyne Valley Big Band @ Greenside Community Centre, Ryton. 7:30pm.
Sat 02: Patrick Cromb @ Prohibition Bar, Newcastle. 8:00pm.

Sun 03 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 03: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 03: Ruth Lambert & Martin Craggs @ The Exchange, North Shields. 2:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Abbie Finn Trio @ The Exchange, North Shields. 3:00pm. A Blues, Jazz & Swing Festival event.
Sun 03: Wild Women of Wylam @ The Exchange, North Shields. 4:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: 4B @ The Exchange, North Shields. 5:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jazz Jam @ The Exchange, North Shields. 6:30pm. A Blues, Jazz & Swing Festival event.
Sun 03: Jeffrey Hewer Quartet @ The Globe, Newcastle. 8:00pm.

Mon 04: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 06: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 06: Michael Bublé @ Durham County Cricket Club, Chester le Street. Doors: 5:00pm.
Wed 06: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 06: 4B @ The Exchange, North Shields. 7:00pm.
Wed 06: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 07: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 07: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 07: Lara Jones + Echo Juliet @ Cobalt Studios, Newcastle. 7:00pm.
Thu 07: Thursday Night Prayer Meeting @ The Globe, Newcastle. 8:00pm. Free admission (donations).
Thu 07: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 07: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 08: Alex Clarke Quartet @ Bishop Auckland Town Hall. 1:00pm. £7.00.
Fri 08: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 08: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 08: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sat 09: Jazz Stage @ Mouth of the Tyne Festival: Zoë Gilby Duo (12 noon); Vieux Carré Jazzmen (1:35pm); Harmony Brass (3:10pm); Ruth Lambert Quartet (4:40pm). Outdoor stage adjacent to Tynemouth Priory.

Wednesday, June 08, 2016

CD Review: Jason 'El Rubio' McGuire - Terceto Kali

Jason McGuire (Guitar); Paul Martin Sounder (Bass); Marlon Aldana (Drums).
(Review by Steve T)
It's probably a man-thing but we've been seeding guitarists like tennis players since Eric Clapton left the Yardbirds fearing they were starting to sound like the Beatles. Known at the time as God, everything was about to change with the arrival on the scene of a certain Jimi. In truth, we had very little to go on, but I wonder what we would have made of Jason McGuire aka El Rubio?
Whenever anyone asks me who is the world’s greatest guitarist, which happens more often than you would think, I always propose it's likely some unknown Spaniard in his thirties. El Rubio is, in fact, a Texan with Irish roots (the band hail from the Bay Area) who cut his chops listening to Hendrix and the British 'blues' guitarists; presumably Eric and other Yardbirds’ and Bluesbreakers’ alumni: Peter Green, Jeff Beck, and Jimmy Page.
However, it was on hearing Paco DeLucia that everything changed for him. Paco is largely responsible for spreading flamenco music worldwide and is equally revered in Jazz, Jazz-rock and Gypsy Jazz circles and I must concur, he's the most mind-bogglingly magnificent guitarist I've ever heard.
Virtuoso guitarists of the calibre of Paco and El Rubio often struggle to remain on the side of good taste, straying into performing circus tricks; impressive but meaningless in a musical context. Paco’s musicality is perennially intact and El Rubio more or less pulls it off too. 
While there are distinct features of each, the album serves up a superb fusion of flamenco and the Jazz guitar trio format. Although I have very little knowledge of flamenco, with over fifty distinct styles, it seems to me that it isn't just one with elements, textures and characteristics of the other, but a seamless conflation of the two.
This is evident on the album opener Zardoz, featuring flamenco guitar stylings assimilated into a basic Jazz guitar trio, which is disrupted after the four-minute mark by a short cante from guest vocalist Jose Cortes, further reminding the listener that it's also flamenco. 
Kali also has a flamenco style song-form featuring Jose Cortes, and A Liberty and Contratempio sound, to these untrained ears, like fairly straightforward flamenco.  
In contrast, Zap is reminiscent of Birds of Fire by the Mahavishnu Orchestra but on acoustic guitar and, while Rick Laird never used a bowed double bass, it was a prominent feature of both Miroslav Vitous and Stanley Clarke, enhancing the evocation of Jazz-rock, but retaining a flamenco sensibility.
The final track, Motivation is perhaps the most interesting from a Jazz perspective; at almost ten minutes it's free throughout with no repetitive rhythm and each musician taking the lead in turn. 
Romance is one of two songs on the album written for his wife, flamenco dancer Yaelisa, and he demonstrates a tenderness often lacking in guitarists who specialise in godzillions of notes per nanosecond.
For once, I'm encouraged there could be a market for a CD. Flamenco has a broad cross-cultural appeal and enjoys popularity around the world' and I hear no reason why the Jazz content would detract from this. Furthermore, there is much here to appeal to anybody who appreciates Jazz guitar, particularly anyone bored by the constant recycling of formulaic clichés, or Jazz more broadly.
Out now and recommended.
Steve T.

1 comment :

Steven T said...

For anybody interested in flamenco, or guitar geniuses more generally, Paco Pena, arguably the finest exponent of the style since the death of Paco De Lucia, returns to the Sage on July 18th.

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