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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Red Kites Jazz @ Parish Hall, St Barnabas’ Church, Rowlands Gill. 7:30pm. £10.00. BYOB (tea & coffee available), raffle. Proceeds to St Barnabas’ Church. Performance feat. Shayo (vocals).
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, June 06, 2016

Raymond MacDonald & Gunter ‘Baby’ Sommer @ The Bridge Hotel, Newcastle - June 5














Raymond MacDonald (Alto/soprano); Gunter ‘Baby’ Sommer (drums/perc).
(Review by Steve H/photos courtesy of Ken Drew.)
As the sunlight  over the railway bridge  poured through the bay window into the upstairs room  at The Bridge on Sunday night the audience were not only blinded by the sun’s rays but also by the brilliant radiance of the magnificent duo on stage.  It is easy to be prone to hyperbole when enthusiastically reviewing a gig from the night before but I can honestly say that was one of the best gigs in over 40 years that I ever had the pleasure of attending.
Sommer had driven his kit over from Dresden for this short tour and it was well worth the mileage such was the fascinating variety and range of instruments he transported.
From the off it was obvious that there was a close bond between the two protagonists as the interplay and improvisation on display appeared effortless. Unlike much heavily improvised music, the music was accessible and melodic at all times and I’m sure those who may have been put off by the ‘On The Outside’ label would have thoroughly enjoyed this evening.  
MacDonald has a beautiful tone on both alto and soprano and this was really emphasised by a solo piece he performed during the first set. Sommer is a fascinating stylist and augments proceedings with wonderful atmospheric chanting.  This set concluded with the pair lifting a wooden chest to the front of the stage which was a German-made copy of a similar African instrument; the sounds and rhythms Sommer was able to extract from this ‘box’ together with Macdonald’s subtle accompaniment was spectacular.
The second set began where the first left off Sommer played another amazing bit of kit – a metre wide circular cymbal (which appeared to resemble an upturned Moroccan tea table top) rested on the floor of the stage producing the most phenomenal sound. This set also featured a percussion solo which seemed to encompass all of Sommer’s great qualities of improvisation, musicality, technique and humour. At one point he was pretending to hit the drums whilst making the percussive sounds vocally. At the conclusion of the gig, the audience burst into sustained heartfelt applause. Both MacDonald and Sommer thanked the audience for their contribution to the evening. As an encore, Sommer accompanied his partner on the jaw harp. The pair then exited the room still playing allowing the music to drift to a sumptuous close. It was one of Sommer’s late compatriots who wrote a tune which summed up the evening perfectly ‘Ode to Joy’.
Steve H.

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