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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17655 (and counting) posts since we started blogging 17 years ago. 929 of them this year alone and, so far, 74 this month (Dec. 31).

From This Moment On ...

January 2025

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 05: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 05: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Americana, jazz & blues.
Sun 05: Papa G’s Troves @ The Globe, Newcastle. 8:00pm. Free (donations).

Mon 06: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 07: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 09: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: John H Hammond.
Thu 09: FILM: Soundtrack to a Coup D’Etat @ Tyneside Cinema, Newcastle. 2:35pm. Documentary (dir. Johan Grimonprez) ‘about jazz, (de)colonial history and activism featuring Louis Armstrong, Nina Simone and Dizzy Gillespie’.
Thu 09: Happy Tuesdays @ Ye Olde Cross, Ryton. 7:30pm. Free.
Thu 09: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 09: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. A Tees Hot Club promotion. The session now monthly, next one Thursday 2nd Feb, then first Thursday in the month thereafter.

Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Joe Steels Trio @ The Pele, Corbridge. 7:00pm. Free.

Sat 11: Jason Isaacs @ St James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 11: Under the Wellie @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, June 14, 2016

CD Review: June Garber - This I Know

In an age where there’s an aspiring jazz diva on every corner, it’s difficult to pick one who’ll get her, er, nose in front of the pack. On the strength of this CD June Garber could be such a person. South African-born resident of Toronto, Garber displays the influence of her roots on several tracks as well as showing an affinity for the music from the country across the border from her adopted homeland.
I’d never heard I’m Gonna Live Till I Die since the Frankie Laine Oriole 78 way back when I was still in my mother’s womb – maybe even before that! Sinatra’s It Was a Very Good Year is another song that’s rarely covered but Garber brings her own take to the party.  Baltimore Oriole will be forever associated with composer Hoagy Carmichael. I think Hoagy would have liked this version.
Carole Bayer Sager wrote Don’t Cry Out Loud and Elkie Brooks made, possibly, the definitive version. Garber’s version is up there with it. Lower keyed but equally emotive.
There’s much more including some fine saxophone solos.
Lance.

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