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Bebop Spoken There

Kasia Delgado: "The naughtiest thing that I did at school was bunk off a maths lesson to practice my saxophone for a jazz band." - (i newspaper October 21, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,837 (and counting) posts since we started blogging 13 years ago. 1254 of them this year alone and, so far, 66 this month (Oct. 23).

From This Moment On ...

October

Sun 24 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 24: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 24: Voices of Virtue Gospel Choir @ The Globe, Newcastle. 4:00pm.
Sun 24: Milne Glendinning Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 26: Classic Swing @ Ship inn, Monkseaton. 1:00pm. The post-lockdown resumption of the band’s weekly residency will be fortnightly until further notice.
Tue 26: Jam session @ Black Swan, Newcastle Arts Centre. 8:00pm. The post-lockdown resumption of the Black Swan’s fortnightly jam session.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

Tuesday, June 21, 2016

CD Review: James Morton - The Kid

James Morton (alt); + Fred Wesley (tmb); Pee Wee Ellis (ten); Andy Shepherd (sax); the Easy Access Horns; Alex Johansen (vcl) Simon Picton (gtr) & Others.
(Review by Steve T).
British saxophonist James Morton was influenced by James Brown, Hip Hop and Jazz it says here; but all you really need to know is he was bitten by the Godfather. At a time when most of his peers in the British funk field were bitten by people who were bitten by James, or by people who were bitten by people who were bitten by Brown, it's quite refreshing to go back to the source.

To say he wears this influence on his sleeve is something of an understatement, but he's backed it up by enlisting heavyweight assistance from alumni of his idol. Saxophonist Pee Wee Ellis was an important component  of the James Brown sound at its most vital time and did some gigging and tutoring in our region a few years ago, including guesting with another JB legend - Maceo Parker - at the Gala in Durham.
Trombonist Fred Wesley took over leadership of the JBs when George Clinton stole Bootsy and co. for his own fledgling funk empire and Fred and Maceo would soon follow. The last time I went to Hoochie Coochie was to see Fred and the new JBs when it was full of funkateers, trombone players and presumably Lance, who likes a bit of hoochie in his coochie. Some of the former moaned that it got too Jazzy in the middle but all of these musicians aspire to play Jazz. Fred was thrilled when he was able to record 'to someone' with 'proper Jazz musicians' but humbled that he may not be good enough. I love trombones and I love Fred Wesley.
As if Morton didn't have enough strength in the horns department, there's his mentor Andy Sheppard for good measure, as forceful and instantly recognisable as ever.
Just in case anybody didn't spot the JB connection, track two Stand Up sounds suspiciously close to James' own I got the feeling, so much so that I had to check whether it was a cover. At times later in JBs' life, his fortunes became perilous and he was strapped for cash, but I'm sure he wouldn't have succumbed to the unfortunate current trend of suing for writer credits going on in the media and law courts at the moment, not least because the song was never the thing for him. Imagine the chaos if the estates of great folk, Jazz, Blues, Soul and Reggae artists started suing each other. I believe Uptown Funk currently has about eleven writer credits (and rising) and Brown should certainly be one of them.   
Following that, Eyelets sounds like a James Brown reworking of Curtis Mayfield's Impressions anthem People get Ready and the next track introduces his very own Lynn Collins, a singer who made her name as part of the JB empire. And so it goes on but not always so blatantly. There's also some fancy, funky guitar work from Simon Picton which pricked up a pair of ears in the back of the car. 
In his heyday JB brought out records almost every week and the saturation of availability due to arch-baddies Amazon, CDs and downloads means you can access it all. But beware, it wasn't all great.
This may all sound critical but it's a fine album and if you don't already have enough James Brown type stuff - and you can't have too much James - this would be a good place to start, or should I say continue?
Steve T.
Release Date July 8 on Matusik Records.

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