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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, June 30, 2016

Mediocrity Everywhere! Not Here. Kamasi Washington @ Manchester Academy. June 28.

Kamasi Washington - Tenor. Ryan Burrow - Trombone. Brandon Coleman - Keyboards. Miles Mosley - Acoustic Bass. Tony Austen - Drums. Ronald Bruner Jnr - Drums. Patrice Quinn - Vocal. Ricky Washington - Flute, Soprano.
(Review by Steve T/Photo top left by Faye MacCalman/stage photos by Francis T)
This was the claim of bass player Miles Mosley during his showcase piece Abraham and there's no argument here. Next to this, all current Jazz, and pretty much all current everything seems mediocre, and there was certainly nothing mediocre about this, so no apologies for another lengthy review.
This was always a no-brainer for me and the only question was when and where: Glasgow on Monday or Birmingham on Wednesday. Both proved impossible and I'm afraid, right now Kamasi Washington trumps Tim Richards.
Set opener My Sweet introduced the frontline and the best trombone solo of the night, his bone increasingly interfered with, transforming its sound like I've never heard before on this instrument.
We also got the first solo from the man himself. He started slowly and I wondered whether he was more bandleader, composer, visionary (a question put to him later by Early Bird Dan Lawrence but left hanging) but his solo grew and grew and I heard Coltrane, through Sonny Rollins back to Coleman Hawkins in this most forward thinking of Jazzmen.
Next piece Final Thought showcased keyboardist Brandon Coleman aka Professor Boogie. Playing mostly clavinet, an instrument made famous by Stevie Wonder though put to best use by Chris Jasper in the Isley Brothers, but the first time I've heard it put through a wah wah. His solo climaxed with the horns coming in behind the Profs' frantic antics.
Next up, Patrice Quinn who remained onstage throughout, with her strange dancing and gesticulating, grinning and giggling to herself. Joined by Ricky Washington - the leader’s father - on flute and later soprano, it was at its best winding down to piano, cymbals and voice, replaced by tenor then flute.
Kamasi claimed that Miles Mosley plays bass like no one on earth and, from my experience, he told the truth. Playing acoustic he had it echoing and making all kinds of strange sounds before whisking up a seriously funky groove worthy of its electric lovechild. Part singing part rapping (known in reggae as sing-jay), he sounded eerily like George Clinton and the whole thing was like a massive funk jam before an almighty bass and clavinet funk-off.
A massive drum dual followed by two extraordinary practitioners, Ronald Jnr taking the honours for me as he seemed to provide the syncopation for the funkier moments.
Another song, another drum pileup and Kamasi, eloquent and witty throughout, regaled like a high priest, though more Sun Ra than Courtney Pine, asked if we'd like another. Silly question, two, three! We'll see he said.
Patrice Quinn was back up for The Rhythm Changes. A Billie Holliday reincarnation or trying too hard? Not a particularly great singer and, in terms of verse/chorus, not particularly great songs, I wasn't sure; it's on a knife edge, the site of so much great art, where people like Trane, Hendrix, Bird, Linda Jones and Jaco precariously walk a tightrope between bad-taste and greatness.
By the end everybody was on their feet, many had piled to the front to plead for more. A bit of a double fault (and a lone tennis reference) in my view when they played a 100 mph run through of brief solos. The place was ripe for a huge jam, they have the material and it wouldn't have been out of place. A minor quibble though.
Kamasi Washington is at the vanguard of a movement you feel could take over the world. Known as the West Coast Get Down, it includes Trane nephew Flying Lotus, Kendrick Lamarr, Thundercat and, beginning with Miles Mosley album Uprising in September, material from each of the individual band members here.
Kamasis' own epic album - erm - Epic was unanimously heralded, both by the Jazz press and the broadsheets, as the best album of last year though, at three hours including choirs, monologues and allsorts, it's patchy though brilliant at its best.
It was great to be a senior citizen at a gig again, though worrying to have so many feeling that having the music wasn't sufficient, and they needed something to snuggle up to or pin on a wall as well, and were prepared to pay three times as much for.
However, I think everybody felt they were part of something important; mixing rock and funk, just like the late sixties and seventies, but representing the history, present and future of the music simultaneously, in a way Robert Glasper, Christian Scott and Terence Blanchard, lacking a focal point, haven't quite managed. Terence Blanchard was great at the Sage doing something similar, but must negotiate his past, and feels the need to walk backwards across the stage and turn his back on his audience to accompany his electrification. Perhaps now they have a figurehead.
Gig of the year so far? Gig of the year! 
Steve T.
NB. No space to do it justice but if you're into Indo Fusion with a touch of African, check out Sorathy Korwar who got things off to a fine start.

1 comment :

Steven T. said...

Incidentally, the photo with Francis Tulip and Dan Lawrence was taken on Dans phone by the girl who is playing tenor at the Bridge on sunday - I'm sorry I forgot her name but she was with John Pope. Couple of others there from the North East we recognised too.

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