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Bebop Spoken There

Ambrose Akinmusire: “ I am certainly always aware of what the masses are doing. And when I see too many people going one way, I'm going another way - even when I don't know what's over that way". DownBeat, March, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Tim Johnston.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: Castillo Neuvo Trio + Conor Emery & His ‘Bones Band @ The Grove, Ouseburn, Newcastle. 7:30pm (7:00pm doors). £10.00. (£7.00. student).
Thu 21: Remi Banklyn + Chris Corcoran Trio @ The Globe, Newcastle. 8:00pm. £12.50. Chicago blues. An International Guitar Foundation promotion.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 22: Vasilis Xenopoulos & Paul Edis @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Nauta + Remy CB + Last Orders @ Hoochie Coochie, Newcastle. 8:30pm (7:30pm doors). Free.
Fri 22: Vasilis Xenopoulos-Paul Edis Quartet @ Traveller’s Rest, Darlington. 8:00pm. £15.00. Opus 4 Jazz Club.
Fri 22: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 23: Jambone @ The Glasshouse, Gateshead. 6:30pm. Free (ticketed). End of term performance in the Northern Rock Foundation Hall.
Sat 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 23: Red Kites Jazz @ Rowlands Gill Community Centre NE39 1JB. 7:00pm. Tickets: £12.00. (gibsidecommunityfarm@gmail.com). A ‘Build a Barn’ fundraiser. BYOB, tea/coffee available.
Sat 23: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. + bf (book in person at venue - no booking fee!). Featuring pianist Martin Litton.
Sat 23: Pete Tanton’s Cuba Libre @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 24: Luis Verde @ Queen’s Hall, Hexham. 3:00pm. Verde (alto sax); Joe Steels (guitar); John Pope (double bass); John Hirst (drums). Alto sax brilliance!
Sun 24: Elsie Franklin @ The Globe, Newcastle. 3:00pm. £10.00. Country blues. An International Guitar Foundation promotion.
Sun 24: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 24: Las Vegas Live with the Rat Pack @ The Forum, Billingham.
Sun 24: Ian Millar & Dominic Spencer @ Otterburn Memorial Hall. 7:30pm. £12.00.
Sun 24: Lindsay Hannon: Tom Waits for No Man @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Note start time - 7:00pm.
Sun 24: Bold Big Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Thursday, June 30, 2016

Mediocrity Everywhere! Not Here. Kamasi Washington @ Manchester Academy. June 28.

Kamasi Washington - Tenor. Ryan Burrow - Trombone. Brandon Coleman - Keyboards. Miles Mosley - Acoustic Bass. Tony Austen - Drums. Ronald Bruner Jnr - Drums. Patrice Quinn - Vocal. Ricky Washington - Flute, Soprano.
(Review by Steve T/Photo top left by Faye MacCalman/stage photos by Francis T)
This was the claim of bass player Miles Mosley during his showcase piece Abraham and there's no argument here. Next to this, all current Jazz, and pretty much all current everything seems mediocre, and there was certainly nothing mediocre about this, so no apologies for another lengthy review.
This was always a no-brainer for me and the only question was when and where: Glasgow on Monday or Birmingham on Wednesday. Both proved impossible and I'm afraid, right now Kamasi Washington trumps Tim Richards.
Set opener My Sweet introduced the frontline and the best trombone solo of the night, his bone increasingly interfered with, transforming its sound like I've never heard before on this instrument.
We also got the first solo from the man himself. He started slowly and I wondered whether he was more bandleader, composer, visionary (a question put to him later by Early Bird Dan Lawrence but left hanging) but his solo grew and grew and I heard Coltrane, through Sonny Rollins back to Coleman Hawkins in this most forward thinking of Jazzmen.
Next piece Final Thought showcased keyboardist Brandon Coleman aka Professor Boogie. Playing mostly clavinet, an instrument made famous by Stevie Wonder though put to best use by Chris Jasper in the Isley Brothers, but the first time I've heard it put through a wah wah. His solo climaxed with the horns coming in behind the Profs' frantic antics.
Next up, Patrice Quinn who remained onstage throughout, with her strange dancing and gesticulating, grinning and giggling to herself. Joined by Ricky Washington - the leader’s father - on flute and later soprano, it was at its best winding down to piano, cymbals and voice, replaced by tenor then flute.
Kamasi claimed that Miles Mosley plays bass like no one on earth and, from my experience, he told the truth. Playing acoustic he had it echoing and making all kinds of strange sounds before whisking up a seriously funky groove worthy of its electric lovechild. Part singing part rapping (known in reggae as sing-jay), he sounded eerily like George Clinton and the whole thing was like a massive funk jam before an almighty bass and clavinet funk-off.
A massive drum dual followed by two extraordinary practitioners, Ronald Jnr taking the honours for me as he seemed to provide the syncopation for the funkier moments.
Another song, another drum pileup and Kamasi, eloquent and witty throughout, regaled like a high priest, though more Sun Ra than Courtney Pine, asked if we'd like another. Silly question, two, three! We'll see he said.
Patrice Quinn was back up for The Rhythm Changes. A Billie Holliday reincarnation or trying too hard? Not a particularly great singer and, in terms of verse/chorus, not particularly great songs, I wasn't sure; it's on a knife edge, the site of so much great art, where people like Trane, Hendrix, Bird, Linda Jones and Jaco precariously walk a tightrope between bad-taste and greatness.
By the end everybody was on their feet, many had piled to the front to plead for more. A bit of a double fault (and a lone tennis reference) in my view when they played a 100 mph run through of brief solos. The place was ripe for a huge jam, they have the material and it wouldn't have been out of place. A minor quibble though.
Kamasi Washington is at the vanguard of a movement you feel could take over the world. Known as the West Coast Get Down, it includes Trane nephew Flying Lotus, Kendrick Lamarr, Thundercat and, beginning with Miles Mosley album Uprising in September, material from each of the individual band members here.
Kamasis' own epic album - erm - Epic was unanimously heralded, both by the Jazz press and the broadsheets, as the best album of last year though, at three hours including choirs, monologues and allsorts, it's patchy though brilliant at its best.
It was great to be a senior citizen at a gig again, though worrying to have so many feeling that having the music wasn't sufficient, and they needed something to snuggle up to or pin on a wall as well, and were prepared to pay three times as much for.
However, I think everybody felt they were part of something important; mixing rock and funk, just like the late sixties and seventies, but representing the history, present and future of the music simultaneously, in a way Robert Glasper, Christian Scott and Terence Blanchard, lacking a focal point, haven't quite managed. Terence Blanchard was great at the Sage doing something similar, but must negotiate his past, and feels the need to walk backwards across the stage and turn his back on his audience to accompany his electrification. Perhaps now they have a figurehead.
Gig of the year so far? Gig of the year! 
Steve T.
NB. No space to do it justice but if you're into Indo Fusion with a touch of African, check out Sorathy Korwar who got things off to a fine start.

1 comment :

Steven T. said...

Incidentally, the photo with Francis Tulip and Dan Lawrence was taken on Dans phone by the girl who is playing tenor at the Bridge on sunday - I'm sorry I forgot her name but she was with John Pope. Couple of others there from the North East we recognised too.

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