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Bebop Spoken There

Alex Bryson: "When the right lick is played at the right moment it can feel like the best thing ever, even if you've heard it a million times before." (Jazzwise July 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper:"Lance writes pull quotes like no one else!"

Postage

14336 (and counting) posts since we started blogging 14 years ago. 555 of them this year alone and, so far, 55 this month (June 19).

From This Moment On ...

June

Sat 25-Sun 26: Harambee Pasadia Festival @ The Hub, Shaw Bank, Barnard Castle DL12 8TD. www.harambeepasadiafestival.com. Line-up inc. Kevin Haynes Groupo Elegua, Hannabiell & the Midnight Blue Collective, Knats. Tickets from £20.00. adult, £10.00. teen (12-17).
Sat 25: Wild Women of Wylam @ Daniel Farm, Wylam. 7:00pm. £20.00. (inc. food).
Sat 25: Julija Jacenaite @ Prohibition Bar, Newcastle. 8:00pm.

Sun 26 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Outdoor (indoor if inclement weather).
Sun 26: Mississippi Dreamboats @ Springwell Village Community Venue, Gateshead. 2:30pm. A ‘1940s’ Weekend’ event (from 1:00pm).
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 26: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 26: Los Chichanos @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 27: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 28: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Dean Stockdale, Paul Grainger, Sid White.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: Four @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 30: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 30: Lights Out By Nine @ Hoochie Coochie, Newcastle. 8:30pm. Free.
Thu 30: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

July

Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 01: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 01: Swing Manouche @ The Vault, Hexham. 7:30pm (doors). £20.00.
Fri 01: 1920s Speakeasy w live jazz @ The Exchange, North Shields. 8:00pm. A Blues, Jazz & Swing Festival event.
Fri 01: Struggle Buggy @ Prohibition Bar, Newcastle. Blind Pig Blues Club. 8:00pm.

Thursday, June 23, 2016

George Benson @ Sage, Gateshead - June 21.

(Review by Steve T/photos courtesy of George Mackellar)
Prelude
Benson was one of the giants of Jazz-Funk, alongside Donald Byrd, Grover Washington Jnr, the Crusaders and others. Herbie Hancock, with juggling skills to match his keyboard playing, maintained a career in each, and Freddie Hubbard kept changing his mind, but George just kept getting more and more commercial, from Jazz to Jazz-Funk to smooth Jazz to disco to MOR.   
With hindsight, much Jazz-Funk was just Jazz artists playing funk or smooth Jazz before the term existed, with Benson among the latter. It’s therefore,  something of a soft target for serious Jazz buffs but, if you look hard enough you will find some gems, and most of the current innovators trying to move Jazz into new areas are targeting hip-hop, bastard son of funk, with Kamasi Washington, and his association with rapper Kendrick Lamarr, a possible champion.
I was never bothered by Benson, though I loved Breezin’ and The World is a Ghetto (by Womack and War respectively), but my brother was a big fan, travelling to Edinburgh to see him in ‘77 or ‘78, so when I came across his Live at Carnegie Hall I was blown away by the guitar playing; this man was fantastic, brilliant, amazing, spectacular.
I was not surprised when this sold out in record time. For any regular at Garden Farm, Julie’s or Walke’rs in the eighties and nineties, you never went long without hearing something by Uncle George, as local DJ Phil Mitchell named him. I saw him at the City Hall in the early nineties when I was far more serious, cynical and snobby, and the gig was OK with all the hits, but improved dramatically for encores Breezin’ and On Broadway.
The Jazz fraternity must therefore always approach a George Benson gig with some trepidation and tolerance, though I admit to a little excitement too.
Concert
Rapturous applause when the man entered the stage and, from the end of Level 2 Row 8 when he picked up his guitar (signature Ibanez GB 10 in natural, guitar nerds) and straight into Love x Love. Some people thought his voice wasn’t very good and, in a sense, they’re right, but I thought the added grain and crackle gave a soulfulness hitherto absent, which was always part of the problem for me. 
Straight into Breezin’ and we couldn’t believe our luck; a couple of tunes half remembered from headier times followed by a stark reminder of prior reservations with Nothing’s Gonna Change my Love for You and a first comfort break for my neighbour.
The place erupts for Kisses in the Moonlight, further reminding us we were a minority, groups of girls dancing and singing at their seats and in the aisles. More of the same with Turn Your Love Around and everybody’s at it. Francis’ disco dancing is hilarious and I tell him Early Bird drum ace Mathew MacKellar is watching so he stops. I’m his dad so it’s my job.
Lady Love Me One More Time, In Your Eyes and it’s getting boring, the man playing air guitar for his bandmate’s solo adding insult to injury.
We beckoned him to remember the thing gathering dust on the stand behind and he responded big-time. ‘Tune’ yelled my neighbour as he went into Mambo Inn , encouraging the audience, Jazz style, to applaud the other guitarist’s solo, as he does his first scat of the evening, accompanying his own guitar, the leg next to mine going in double time.
This was followed by Danny Boy, a staple in recent years, and into Affirmation, a forgotten (by these ears) gem from the Breezin’ album, perhaps the highlight of the night and Francis clearly in awe.
However, more disappointment followed as he unstrapped once more for Never Give up on a Good Thing and Shiver, more insult piled on the already considerable injury as he scats alongside the other guitarist.
The guitar was back on for Give me the Night, a record I hated on release but, as with most of his uptempo pop hits, over time I’ve come to accept, appreciate, like? I suddenly realised I’d completely lost track of time and at some point it would end, and I knew I didn’t want it to, when it did.
An encore wasn’t in doubt but my neighbour was out a semi-quaver into Greatest Love of All. Sage one had been a veritable disco for the best part of the last ninety minutes but I don’t remember the last time I saw so many happy people, which was quite uplifting.
On Broadway inevitably and the seat next to mine was re-occupied in time for ‘they’re dead wrong, I know they are, cos I can play this here guitar’. Of that there can be no doubt.
‘But I won’t quit ’til I’m a star’. No doubts there either then.   
Coda
They say you shouldn’t meet your heroes, but such is the determination and naivety of youth, I figured it was worth a go.
Opening salvo to the MD; the young kid over there occupies the guitar seat of the Sage Jazz orchestra (and good to see Bradley Johnson there too) and, insomuch as he has one favourite guitar player, it’s probably George (which is probably true). He informed me that George was resting and offered to sell me one of his own CDs.
Plan B, stand outside the back with the perennial autograph hunters and wait; it’s a warm night and nobody has to get up the next day. I think he was expecting a chat, maybe a jam, supper; he hasn’t yet grasped the void between a successful Jazz artist and a massive, worldwide pop megastar.
After his rest, which was a meet and greet and champagne (prosecco, cava) with people who had paid over £100 for the privilege, he came out, signed a few autographs, album covers, a guitar strap and Francis’ tutorial DVD sleeve before his minder removed him. Not bad I thought for an international superstar. 
Steve T.
NB: Don't have the line-up but I read elsewhere that the bass player was Stanley Banks and the drummer Khari Parker.

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