Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Friday, June 17, 2016

CD Review: Mac Gollehon & The Hispanic Mechanics

(Review by Steve T)
This is Mac Gollehon’s ninth album as a leader, but his list of guest credits is a veritable who's who of pop and disco, from the mildly impressive Chic and Rick James to the not at all impressive (to these ears): Duran Duran, Blondie and Mick Jagger. There's also a number of Latin artists, none of whom I've heard of and he's worked with a good Bowie and another, but I'll leave the reader guessing who they are and which is which.
The music is described as 'ground-breaking...a uniquely fresh and innovative...mix of jazz, blues and funk' but should also add hip-hop, Afro-beat, Latin, and soca, and expand on the term Jazz.
Everything seems thrown at the first track which ends up a mess with the second track even worse, but stick with it and track three delivers a coherent sound at last, his trumpet leading something reminiscent of seventies Jazz Funk just before its collapse into smooth Jazz, but with elements of hip hop, a recurring theme and one of the most effective in its understatement; no lengthy, bad taste raps here.
Elegancia is vintage Roy Ayers, complete with sampling, and there's even some scratching on Obscuridad but Amor Tragico is a Euro pop too far and an album low.
I'm not sure what the point is of an alternative version of the opening track but there's a fine closer featuring muted horn, which brings the whole thing back to you know who - well he is a trumpet player - giving a sense that late Miles Doo Bop via Tutu has been underpinning the whole thing.
The album opener makes more sense on second play as a kind of statement of intent, but some may find the albums' claim of a 'successful marriage of styles' more a weakness, with diluted versions of its various parts spread too thin. Overall it feels like a compilation album although compilations generally have more stylistic consistency, but there's some good music to be found and it's fun for all the family.
Currently available on True Groove Records.
Steve T.
Mac Gollehon, Tomás Doncker (Elegancia), Tina Torres, Miguel Valdez, Josh David (vocals); Mac Gollehon (Trumpet & Trombone); Miguel Valdez, Baba Don, Ronnie Roc (Percussion); Mike Griot (Bass); Tomás Doncker (Guitars); Afrikan Sciences (Eric Porter) (DJ).

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