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Bebop Spoken There

Ed Palermo: "[Frank] Zappa's humor was very rarely self-deprecating, and mine is almost always self-deprecating. The beauty of it is that no one gets hurt." - (DownBeat February, 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,191 (and counting) posts since we started blogging 13 years ago. 610 of them this year alone and, so far, 18 this month (May 4).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Thursday, October 15, 2015

CD Review: Racha Fora - Racha S'miles

Hiroaki Honshuku (flutes/piccolo/ewi); Rika Ikeda (violin); Mauricio Andrade (guitar); Rafael Russi (bass); Benhur Oliviera (pandeiro) + (on 3 tracks) Dave Liebman (sop sax).
(Review by Lance).
Described as Jazz improvisation over native Brazilian rhythms - a grooving hybrid music from Boston, Ma this sounded as if it might be a daunting prospect! Not so! This tribute to Miles Davis is quite delightful. The unusual combination of the flute/violin front-line over a Brazilian rhythm section works well.
Six compositions by Miles (Milestones; Blue in Green; Solar; All Blues; Circle and Seven Steps to Heaven). Two by Wayne Shorter (E.S.P. and Footprints) and four by Honshuku (Feather Roux; Chicken Don; Door 8 and Wood Row) are given original treatments all highly melodic and, at times, quite lyrical. Honshuku excels on flute, alto flute, piccolo and that strange beast the Electronic Wind Instrument. He studied with George Russell and works around that late great theorist's Lydian Chromatic Concept one of the few to capture fully the nuances of that conception. Front-line partner and fellow Japanese musician Ikeda is an exceptionally fluent player bringing a Grappelli-like elegance to her playing albeit with a more contemporary approach. The Brazilians bring their own native grooves to the table and, in doing so, prove that there's more to their music than mere bossa nova. Andrade's nylon strung guitar playing adds to solo credits with some impressive playing. Former David sideman Liebman makes his presence felt on three tracks ensuring that the spirit of Miles is never far away.
Lance

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