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Bebop Spoken There

Peter Woodford: "I noticed when I went to hear some jazz in a little pub on the outskirts of London the people were really listening. I'm used to guys in bars only interested in making out with their girl friends. Here the idea seems to be to take a girl, enjoy the music, and make out later." - (Crescendo September 1972).
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Archive

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

Today Wednesday February 19

Afternoon

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Zoë Gilby & Mark Williams - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 1:00pm. £3.00. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

After Hours #4: Stéphane Grappelli - Cafédral Durham, Owengate, Durham DH1 3HB. 7:30pm. £5.00. (concs. available). Sonia Rae (violin); Tom Burgess (guitar); Jack Theaker (guitar); Angus Shennan (keyboards); David Byfield (drums) + Clara Falkowska (flugelhorn, violin). ‘The life and work of Stéphane Grappelli’. Durham University Jazz Society event.

Blues/Soul/Funk etc.

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, October 17, 2015

Kora Band @ the Jazz Café, Newcastle - Oct. 16

Andrew Oliver (piano); Kane Mathis (kora & vocals); Chad McCullough (trumpet); Brady Millard-Kish (electric bass); Mark DiFlorio (drums/calabash).
(Review/bw photo by Lance/colour photo courtesy of Mike Tilley). 
This probably won't be my "Gig of the Year" but I'm sure it will be a contender! What is for sure is that it will be the most unique. Five American musicians playing a fusion of jazz and West African music and featuring the kora - a lute shaped, 20 plus stringed harp-sounding instrument originally indigenous to West Africa but now more widely used. Mathis' instrument was made by, quote: "a hippy guy out in the Oregon mountains".
Those of us whose kora experience was either limited or non-existent were in awe of  Kane Mathis' virtuosic display. Worthy of a punt in the next Down Beat poll (Misc. Inst. section). Not that this was a one man show, anything but. Apart from some superb kit drumming, DiFlorio also displayed his dexterity on another ethnic instrument the calabash. A gourd-like bowl that is not unlike a kora sans strings, bridge and fingerboard. The sounds and rhythms produced were incredible!
On bass guitar BM-K kept the pulsating rhythm afloat easily adapting to the many variations of tempo and time. McCullough, perhaps the most straight ahead player jazzwise had plenty fire in his belly whilst leader Oliver dazzled with his vamps and riffs and forays around the keyboard.
The music itself emanated from such faraway places as Mali, The Gambia, Senegal and points west. There were similarities with the township music of South Africa but only slight. This was a whole different ballgame. At times it almost had the feel of a jazzified Irish jig!
Feet were tapping all around me and more than one person regretted there wasn't space enough for the audience to shake a limb or two.
Earlier this month we reviewed their new CD - New Cities - well worth having as a memento of a memorable evening.
Lance.

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