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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

Monday, October 12, 2015

CD Review: Colin Towns’ Mask Orchestra – Drama

(Review by Russell)
The Mask Orchestra’s new album, the seventh release in its quarter century existence, is a sprawling work across two discs drawing inspiration from the world of theatre. The CD is Colin Towns’ response, and contribution to, major British theatre productions. Drama – a succinct title – is realised by a wonderful array of British jazz talent. Veteran, established and emerging names are to be found in all sections of the band which must make life a lot easier for the bandleader as he writes material knowing that he can call upon some of the finest musicians available to him.      
Colin Towns stated it was important that the musicians knew the synopsis of each play so they would have an understanding of the composer’s inspirations and intentions. Meeting theatre director Terry Hands opened doors for Towns; visiting theatres, discovering many texts and ultimately collaborating with directors.
Drama opens with classic works; Anton Chekhov’s The Cherry Orchard and Shakespeare’s Macbeth. The compositions feature a raft of soloists, the latter hears Julian Siegel’s baritone motif with a firing trumpet section behind him. Tom Stoppard’s Rosencrantz & Guildenstern are Dead has a demonic sense of fun about it (Andrew McCormack, piano), Equus a Modernist filmic/theatrical quality. Arrangements throughout are never too far from suggesting a sense of urgency. Hysteria (Terry Johnson, playwright) closes the first CD with a three way tenor exchange between Tim Garland, Nigel Hitchcock and Julian Siegel.
Two of Peter Shaffer’s plays make it onto the recording, Equus, on disc one, and on disc two The Royal Hunt of the Sun. The music for the latter takes as its starting point the Art Sphere Theatre, Tokyo production (Terry Hands, director, 1994). Percussionists Stephan Maass and Joji Hirota duel (opening and closing the composition), Gateshead born Chris Montague, a singular emerging guitar talent, suggests an Americana feel, and Peter King has a blast on soprano giving way to the orchestra’s tumbling momentous finale.
Ken Kesey’s One Flew Over the Cuckoo’s Nest would suggest all things American and it doesn’t disappoint. Barnaby Dickinson (or is it Jack Nicholson?) plays crazy trombone as Peter King switches to alto, Montague finds a disturbing chord or three and the ensemble
retains a collective sanity amidst institutional bells, alarms and on-street sirens. Michael Frayn’s Copenhagen (Emma Lucia, director, Clwyd Theatr Cymru, 2013) doesn’t allow a slackening of the pace with more superb, frantic ensemble work featuring the trumpets of Rory Simmons, George Hogg and Graham Russell. Jane Eyre offers some respite; Simon Allen’s soprano solo a calming influence.
Arthur Miller’s The Crucible (Terry Hands, director, 2003) comes in at nineteen minutes and forty nine seconds. The composition features so many soloists it is easier to indicate that almost all step up; a proud brass band emerges expertly combining the sounds of the British colliery band and a French Quarter marching band. Veteran Alan Skidmore, tenor, leads the way for the reeds, a contemporary big band at its best.
Colin Towns’ Mask Orchestra has three concert dates this week: Thursday 15 Manchester at the Royal Northern College of Music, Friday 16 Southampton, Turner Sims Hall and at LSO St Luke’s, London, Saturday 17. Colin Towns’ Mask Orchestra Drama is out now on Provocateur Records PVC1044.       
Russell.          
George Hogg, Graham Russell, Henry Lowther, Rory Simmons (Trumpet/flugelhorn)Barnaby Dickinson, Tom White, Harry Brown, Roger Williams (trombone); Peter King, Simon Allen (alto/soprano); Tim Garland, Alan Skidmore, Nigel Hitchcock (tenor/soprano); Julian Siegel (baritone/tenor/soprano/bass clarinet/clarinet/flute); Stephan Maass (percussion/electronic percussion); Andrew McCormack (piano); Arnd Geise (bass); Chris Montague (guitar); Ralph Salmins (drums);  Colin Towns (keys); Joji Hirota (percussion).    

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