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Bebop Spoken There

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Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Sun 19: BTS Trombone Day @ Mark Hillery Arts Centre, Collingwood College, Durham University DH1 3LT. 11:00am-5:00pm. Free to British Trombone Society members (£10.00. & £5.00. to non-members). Recitals, workshops and mass blows.
Sun 19: Anth Purdy @ The Links, Blyth. 12:30-1:00pm. Free. ‘Blyth Battery: Blyth Goes to War Weekend’.
Sun 19: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Andrea Vicari. Enquiries: learning@jazz.coop.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 19: Ransom Van @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Andrea Vicari Trio @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free. Opus de Funk: Horace Silver.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Thursday, October 15, 2015

Robert Cray Band @ Sage Gateshead. October 13

Robert Cray (guitar & vocals), Dover Weinberg (keyboards & organ), Richard Cousins (bass) & Les Falconer (drums)
(Review by Russell)
The lights went down, way down. The Robert Cray Band walked on in darkness, plugged in, began to play, then, and only then, did the stage lights illuminate America’s #1 blues-soul star. The ageless Robert Cray, in his mid-sixties with the looks of a thirty-something, never gives less than one hundred percent, yet this Sage Gateshead show was different. It wasn’t immediately apparent but there was an extra something about it.
Great voice, great guitarist, Cray was in fine fettle. Counting the band in with: Like This! the tunes came thick and fast, the band on the money. She’s Gone (False Accusations LP, 1985), Chicken in the Kitchen and countless others featured Cray’s searing vocals with more than a few falsetto lines to give it that extra something. Chicken spotlighted the talents of Dover Weinberg. A ‘been there, done that’ veteran, ‘White Cliffs’ to his friends, played a significant part, he was an ‘extra something’ component of the show. Keys and organ, the smiling Weinberg clearly relished working with Cray. Playing a vintage piece of furniture (organ) Weinberg looked across to bass man Richard Cousins; a nod and a smile said it all…they were smokin’!
The man at the back on a podium, drummer Les Falconer’s CV reads like a who’s who of the music scene. Physical, powerful, laser-like accuracy, Falconer drove the band on, one way – onwards, no time to rest, he wasn’t on vacation, he was going about his business. A tighter band you couldn’t find. Tight as. Robert Cray is famed for his vocals yet his guitar playing is sublime. This Sage One performance heard him play more freely than of late. The expressive phrasing was there as always, yet that extra something was in his playing. Cray’s right hand man Richard Cousins, the lynchpin, held it all together. Cray without Cousins is difficult to contemplate, the pair having first met in 1969.
Right Next Door from Strong Persuader (1986) delighted the audience. Cray has a forty years’ back catalogue to raid night after night. Touring is what Cray does. Gigs in Britain then over to Europe, then home to the US to tour some more. The man joked with an adoring Gateshead audience that he and the band had been holed-up back stage since last time waiting for them to come to hear the band again! Robert Cray is a storyteller; of love lost, regret, pain, the wronged man. Great Big Old House, then to close, You Move Me. A wave to the crowd, a moment off stage, then to return to play some more.
Phone Booth. A crowd pleaser; Cray was in a Gateshead Phone Booth! So said the man. The soulful Mr Cray went out on a Booker T tip with Hip Tight Onions, co-written with Cousins. Hearing Robert Cray in concert should be on everyone’s list of ‘1000 things to do before I die’. He’s come a long way from playing the basement venue at Newcastle University Students’ Union (November 6, 1986). These days Sage Gateshead is the place to hear him. Be there next time.

Earlier Shawn Jones (guitar & vocals) played a support set. Jones, Oklahoma City born, California resident, has been on the road for more than twenty five years. Having shared a stage with many famous names – Robben Ford, Willie Nelson, Bonnie Raitt to name but three – Jones’ big break came when Waylon Jennings offered him a management deal and the job of playing guitar in his band.
At Sage Gateshead Jones played a solo set. How ya doin’? he asked. A frequent visitor to these shores, he said Sage Gateshead was the best venue he had come across in his time. Quite a compliment. He said he’d enjoyed a visit to ‘the castle’, a ‘must see’. He can be forgiven for mistaking Newcastle for Gateshead! Jones arrived in Britain with two guitars and by the time he reached Tyneside he’d acquired a third. By chance, a shop in Truro, Cornwall, had just the guitar he was looking for (Jones uses more than one during his stage performance). The find was all the more remarkable given that he is a left hander and he paid a bargain £150 for it!    
Jones’ rhythm guitar accompaniment to his singing owed something to Elmore James and his rhythm and blues contemporary, George Thorogood. Raw, with an edge, his powerful vocals saw him step back from the mic from time to time. He began with Temptation and in the short time allotted to him he managed to fit in half a dozen tunes including Runnin’ Out of Time to Run and, said Jones, to be on his next recording, a slide feature – Bottom of the Bottle. Using several tunings (he selected guitars from a rack of three at his side), a performance of real conviction convinced the audience and he met an enthusiastic post-gig queue of converts eager to buy, and have signed, copies of his CD back catalogue.  
Russell.

2 comments :

Patti D. said...

It was an ace gig - great, soulful, funkin' blues by our favourite - gorgeous singing and a fabulous tight, rocking band. The bass man, Cousins, delighted yours truly with his solid rhythms .... and groovy dance moves!

Patti D. said...

And the audience loved the way Mr Cray dealt with that one guy who was attempting to clap along to the beat! The embarrassing sound of one man clapping - out of time ..........

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