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Bebop Spoken There

Belá Fleck: "...he [Chick Corea] brought out the best in musicians. Not only would you get to play with him, but you'd get to play with the best version of yourself." - (DownBeat April 2021).

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,073 (and counting) posts since we started blogging 13 years ago. 492 of them this year alone and, so far, 47 this month (April 9).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Wednesday, October 07, 2015

CD Review: Josh Shpak Band - Astatic

Josh Shpak (tpt/flug); Simon Moullier (vbs); Lucas Del Calvo (gtr); Kyumin Shim (pno); Aaron Liao (basses); Patrick Simard (dms); Roni Eytan (hca - 2 tracks) + Strings (on 3 tracks) Sam Weiser, Gabe Gladstein (vln); Alexandra Simpson (vla); Marza Merophi Wilks, Allison Drenkow (cello).
(Review by Lance). 
I'm not sure that I'm the guy to review this. Josh states that, "I've found the main reason people of my generation [his] steer away from jazz is not that the music is too complex, too angular, too tense...it's because the very sounds that the musicians are using sound old or outdated to them. I'd like to bring my music to these people in a way that makes their own favourite artists be as relevant a part of our culture's musical history as John Coltrane".
Now, as part of the 'older generation' it is strange that he uses Coltrane as an example - like did JC play with ODJB or the Hot Five? Even stranger is that his own trumpet playing is as lyrical as anything early Miles or Chet did! Maybe he can bridge the gap! 
The string section is used effectively and the soloists are first rate. My problem is the ensembles which don't do it for me - maybe I was born too soon!
Having said that, the late Clark Terry was one of Shpak's mentors (and it shows in the young man's playing - Terri Lyne Carrington and George Garzone were others) so what do I know?
Not totally for me but Josh Shpak is someone whose progress I will follow with interest - do the band play Bah Mitzvahs?
Lance

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