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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.

Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).RESCHEDULED FOR JUNE 13

Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. 7:30pm (doors). £25.00.

Sat 19: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-3:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 19: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 20: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 20: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 20: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 20: Tweed River Jazz Band @ The Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: C.A.L.I.E @ The Globe, Newcastle. 8:00pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, October 28, 2015

Song Lyrics - Why do we like them?

(By Ann Alex)
If Lance, Blogmaster, allows, this will be the first in an occasional series of appreciation of song lyrics, a subject which I’m particularly interested in.  
Here goes! It seems to me that the song No Moon At All is especially clever, both lyrically and musically.  I first heard this sung delightfully by Claire Kelly (pictured) a few weeks ago at the Globe, and was intrigued by the idea that it is the opposite of the standard ‘moon in June’ songs.  Then a piece of luck - the song turned up in our repertoire on the Blue Jazz Voices jazz singing course.
It’s written by Redd Evans and Dave Mann:
No Moon at All
What a Night
Even lightnin’ bugs have dimmed their light
Stars have disappeared from sight
And there’s no moon at all

Don’t make a sound
It’s so dark
Even Fido is afraid to bark
What a perfect chance to park
And there’s no moon at all

Should we want atmosphere
For inspiration, dear
One kiss will make it clear
That tonight is right and bright moonlight might interfere

No moon at all
Up above
This is nothing like they told us of
Just to think we fell in love
And there’s no moon at all

As soon as you hear the words no moon at all the song gets your attention because it denies what you expect from a love song and you wonder if it will be a sad tale of lost love.  But the jaunty tune leads you to realise that this is highly flirtatious stuff with a lovely light touch and added humour even Fido is afraid to bark. (When we first tackled this song at Blue Jazz, Lindsay’s dog Chaplin was present as an illustration.  And don’t reverse the words as I did, by swopping round ‘bark’ and ‘park’.  Not what the writers intended!)
You’re not allowed to forget the couple’s intentions with the constant repetition of no moon at all.
I consider that the cleverest line in the whole song is This is nothing like they told us of, which has two meanings, referring to both what people traditionally say about falling in love by moonlight, and also what other song writers have written.  The line is a gentle criticism of all the other lyricists, from Cole Porter to Lorenz Hart to goodness knows who else.
Another favourite line for me is tonight is right and bright moonlight might interfere. These words are sung mostly on one note until we come to interfere, which jumps up to higher notes and so literally interferes with the musical sound.  And of course the internal rhymes within the line add to this effect, then interfere has completely different vowel sounds, so both words and music add to the effect.
I could go on more about the many rhymes and repetitions which are obvious, but I’d become a total bore.  Suffice to say that the last two statements are quite defiant, suggesting that they didn’t need the moon to get them to fall in love, so let’s just leave them to it!
Ann Alex.

9 comments :

Lance said...

Brilliant Ann! Keep them coming. The line, "Tonight is right and bright moonlight might interfere." A quintuple rhyme! Now there's a challenge! Anyone know any other quintuplets?

Anonymous said...

Can't think of a quintuplet at the mo. But noticed this unlikely quad "Cold Cape Cod clams" in a rather famous song. Any ideas ? :) Ken

Liz said...

is this one?
Beans could get no keener reception in a Beanery

Lance said...

Clever, as all of Hart's were, but Beanery and Greenery are just a rhyme not a quintuple one (five!)

Lance said...

There is now!

John Hallam (on F/b) said...

Trying to get people to include the verse is like drawing teeth! Yet the verse is often a little gem and puts the chorus in context. From the age of 78 s "with vocal refrain" the verse might be found as an instrumental, the lyrics being found in the songsheet or original show.

However, many bands take the easy way out and only bother with the chorus - for example the potboilers played to the point of boredom : S'wonderful, Bill Bailey, Doctor Jazz, Stardust , even The Sheik.
I have collected many verses the hard way over 40 years using pen and paper but it is much easier now on the net. So "Please" ( another one) put the verse back where it belongs.

Lance said...

I seem to recall, John,some years ago, a well known singer recording the verse of Stardust and dispensing with the chorus completely. Can't remember who though!

Liz said...

it has a lovely verse, I had it played at Denys's funeral if you remember Lance

Ken Drew said...

I see now that my 4 words were just alliteration !!! Simples compared to triples or quintuplets.
BTW the line "Cold Cape Cod clams" is from 'Let's Do It (Let's Fall In Love)' (Porter). Ken

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